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From El Greco to Dalí

Great Spanish Masters from the Perez Simon Collection
July 09, 2011 through November 06, 2011

The San Diego Museum of Art is proud to be the only U.S. museum to show From El Greco to Dalí: Great Spanish Masters from the Pérez Simón Collection. This spectacular survey of Spanish art from the 16th century to the 1970s will feature 64 works drawn from one of the world’s finest private collections, on view from July 9 to November 6, 2011. From the golden age of Charles V and on through the modern period, this exhibition showcases such acclaimed masters of the Spanish school as El Greco, Ribera, Murillo, Goya, Sorolla, Picasso, Dalí and Miró.

Spanning five centuries, this selection of works by some of the world’s most celebrated artists illustrates a splendid chapter in the history of Spanish art. Visitors to the exhibition will also be invited to discover dazzling artists little-known in the U.S., such as the Romantic Manuel Barrón y Carrillo, or the Modernist Romero de Torres.

This exhibition proposes new perspectives on the story of Spanish art, considered both thematically and historically. An outstanding selection of old master paintings will  underscore the importance of religious piety and royal patronage from the 16th to the 18th century, including Jusepe de Ribera’s sensational Saint Jerome, Bartolomé Murillo’s sublime Immaculate Conception, and Francisco de Goya’s masterful Doña María Teresa de Vallabriga y Rozas. The struggle between tradition and modernity will be considered from the late-18th to the 20th century, featuring six works by Salvador Dalí, among them his monumental Ascension of Christ, and the diptych Gala’s Christ, painted for his wife and muse in 1978. Monuments of painting, the masterpieces assembled for this exhibition are also a testament to a preeminent collector’s enduring passion.

A native of Asturias, Spain, Juan Antonio Pérez Simón has made Mexico City his home. It is also home to his collection, begun in the 1970s, which now ranks among the greatest in the world. From El Greco to Dalí: Great Spanish Masters from the Pérez Simón Collection, a choice selection from the outstanding works that comprise this stellar collection,premiered in Paris, at the Musée Jacquemart-André, before traveling to the Musée national des beaux-arts in Québec City.

Roxana Velásquez, Executive Director of the Museum, on Sorolla

Related Events and Exhibits

Roxana Velásquez on Spanish Art

Hear about the long, rich history of Spanish Art in the context of From El Greco to Dali, on view...

More Information

Featured Videos

Guillermo Solana, Chief Curator and Artistic Director, Museo Thyssen-Bornemisza, Madrid, Spain, speaks on Dalí
Nicola Spinosa, Director of the Capodimonte Museum Naples, Italy, speaks on Jusepe de Ribera
Dr. John Marciari, Curator of European Art and Head of Provenance Research, speaks on Alejo Fernández
Dr. John Marciari, Curator of European Art and Head of Provenance Research, speaks on Francisco Bayeu
Ignacio Henares, Director of the History of Art and Music Department, University of Granada, Spain, speaks on Goya
Press Conference Clips

Featured Artists

Domenikos Theotokopoulos, called El Greco. Head of Christ. Circa 1600
Jusepe de Ribera. Saint Jerome. 1648
Joaquín Sorolla. Morning Sun. 1901
Pablo Picasso.  Still Life with Dove. 1919
Salvador Dalí.  The Ascension of Christ.  1958

Timeline

What do you see ?

We all have our own reaction to a specific work of art. One person might see one thing and another person may see something entirely different. That's the beauty and the truth of being subjective. Tell us what you see in the painting below.

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What everyone else sees:

Devon sees: Gorgeous colors and a fun party!
Amy sees: 

A dreamy fantasy with elegant ladies in glamorous costumes.

Anonymous sees: A Spanish wedding party with the bride and groom departing on two horses and two guests standing close by.
Tony sees: It looks like a Spanish wedding with bride and groom on horses. Looks like it might be influenced by Klimt. Very pretty.
Kim sees: I see royalty riding horses in a flowered courtyard, with ladies standing nearby.
Anonymous sees: Guests are arriving at an evening gala given by a Spanish nobleman. Two of the guests, a young man and a young woman, are arriving on horses.
Achyut Sompura sees: I see a beautiful procession of women on horseback traveling through an arc of flowers.
Anonymous sees: Very beautiful painting, but I can' help but wonder why did the artist spend so much time & detail on the horses' rear ends? That seems to b the prime focus of this painting.
Flor Gomez sees: Women on horses both dressed elegantly for a summer night festival or parade on a quaint street in Spain…
Heidi sees: I see two young women in the streets of Spain, riding horseback and posing as husband and wife. They are both a little nervous about their precarious situation so they are looking about. The "wife" stares right at the viewer, hoping we haven't discovered her secret!
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What everyone else sees:

Anonymous sees: Looks like a primitive symbol of a man: a huge sensory eyeball, a few limbs, body & a shoe planted firmly on the ground, some buildings, and a star in the sky.
Anonymous sees: A one legged man.
Brian Skowron sees: I had a poster years ago with such an abstract bird-egg suggestion. This adds humanlike legs/arms, sky background, earth foreground activity.
Anonymous sees: big blue flea with a shoed foot, maybe just squished because red (blood) is being emitted...
Julio Romero de Torres. Portrait of a Woman, ca. 1925. Oil on canvas. Pérez Simón Collection.
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What everyone else sees:

M D sees: This painting is of a beautiful woman with a a nice light in her eyes, a woman who is content as well as the modesty and adventurous spirit shows off at the same time. She is very much in love seems to me. Also - this woman seems of a royal upbringing but very much an individual of her own. A very dtermined woman. Very good portrait. M D
Brian skowron sees: Excellent skintones. I wish there was more detail to the clothing, hair, background. But then, deliberate deemphasis of those elements highlights the skin in the Tenebrist style...
Catherine sees: Spanish Mona Lisa...her beauty is striking against the muted background.  There is nothing to reveal her status in life--is she rich? Middle-class?  A lover? Friend? Or simply the figment of the artist's imagination?  Her smile reveals nothing but mystery.  
john ben sees: The modern Mona Lisa more alive, more beautiful, more lovely, those eyes!
Pablo Picasso. Françoise in an Armchair, 1949. Oil on canvas. Pérez Simón Collection.
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What everyone else sees:

Anonymous sees: this is a comment
Anonymous sees: Painting
Brian Skowron sees: Françoise was posing in a cafe. The small table and flower vase are in red, the armchair and her armbones(?) are the yellow composite, and face/neck/hair on the black/blue/white axial skeleton composite.
Joaquín Sorolla y Bastida. At the Beach, 1908. Oil on canvas. Pérez Simón Collection.
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What everyone else sees:

D sees: A memory from my childhood
Anonymous sees: Unconditional Love
Salvador Dalí. The Ascension of Christ, 1958. Oil on canvas. Pérez Simón Collection.
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What everyone else sees:

Merry Lampinen sees: This is, without a doubt my favorite piece from the Perez Simon Collection. This Dali has amazingly great energy that gives me goosebumps every time I see it. At first glance, I thought the female figure was an evil angel crying tears of blood. Turns out, this was Dali's wife Gala, who often modeled for him.
Anonymous sees: Lust...in a hailstorm.
Magdalena sees: Ale macie tam super muzeum, no i jaka wystawa! pewnie byles. Pozdrawiam Magdalena
Anonymous sees: I do not like this picture. It is creepy. It is supposed to be depicting the Resurrection of Christ, but it looks more like a demonic possession. His hands are clenched like there is an unpleasant tension. Overall, it is an unnerving image. It took the moment that saved all mankind and recreated it in a distorted and evil-looking way.

From El Greco to Dalí: The Great Spanish Masters from the Pérez Simón Collectionis organized by the Musée Jacquemart-André, the Musée National des Beaux-arts du Québec in association with The San Diego Museum of Art.

The exhibition is made possible by Tamara and Kevin Kinsella.

Major support is provided by Demi and Frank Rogozienski and the Horace W. Goldsmith Foundation.

Additional funding is provided by Gordon Brodfuehrer, Toni and John Bloomberg, Mary Ann and Arnold Ginnow, Sharon and Joel Labovitz, Sheryl and Harvey White, Christie's, Pillsbury Winthrop Shaw Pittman, the County of San Diego Community Enhancement Program, the City of San Diego Commission for Arts and Culture, and the Members of The San Diego Museum of Art.

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A Harmony of Line G20_12-2011 08A Harmony of Line G20_12-2011 07A Harmony of Line G20_12-2011 06A Harmony of Line G20_12-2011 05A Harmony of Line G20_12-2011 04A Harmony of Line G20_12-2011 03A Harmony of Line G20_12-2011 02A Harmony of Line G20_12-2011 01The European Art Collection G19_12-2011 010The European Art Collection G19_12-2011 01The European Art Collection G19_12-2011 09The European Art Collection G19_12-2011 08The European Art Collection G19_12-2011 07The European Art Collection G19_12-2011 06The European Art Collection G19_12-2011 05

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