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An American Pulse:
Studies in Belief


Billy Sunday
Billy Sunday, 1923
Edition of 60
Mason 143; Bellows 111
Museum purchase, 1997:34
Click on image for a larger version.

I like to paint Billy Sunday, not because I like him, but because I want to show the world what I do think of him. Do you know, I believe Billy Sunday is the worst thing that ever happened to America. He is Prussianism personified. His whole purpose is to force authority against beauty. He is against freedom, he wants a religious autocracy, he is such a reactionary that he makes me an anarchist.
-George Bellows

Curiously enough, although Bellows' intent in this lithograph was to show the horrible power Billy Sunday had over people, Sunday liked the image enough that he gave an impression to a friend. The crowd hearing this tirade is more staid than the crowd in Bellows' earlier lithograph The Sawdust Trail. It is Sunday who is the catalyst for action in this work—on his feet, standing on tables, and gesturing forcefully at the crowd which seems to rear back in response to his hand. The entire event takes place in a cavernous space and the strong verticals of the roof supports stand in solid contrast to the dramatic diagonal stance taken by Sunday.