October 7, Saturday
9:30 a.m.–5:30 p.m., James S. Copley Auditorium
Free
In conjunction with Transmission: The Art of Matta and Gordon Matta-Clark, SDMA
and the Getty Research
Institute are presenting a free all-day symposium. The Architecture of Other Spaces features three sessions
of presentations by art and architecture historians, curators, and conservators.
The morning session focuses on the artistic and familial relationship between Surrealist artist, Roberto Matta
(1912–2002), and experimental urban Conceptual artist, Gordon Matta-Clark (1943–1978). The afternoon sessions
focus on the work of Gordon Matta-Clark, including two presentations of scholarly work and a panel discussion
on issues of display, ephemerality, and materiality/immateriality.
Symposium Schedule
| 9:30–10:00 a.m. |
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Coffee/Registration |
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10:00 a.m.– 12:00 p.m. |
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Morning Session Matta and Gordon Matta-Clark: Artistic Theory and Architectural Modernism
Introduction
Andrew Perchuk, assistant director, Getty Research Institute
Matta's Barocchetto
Romy Golan, associate professor, The City University of New York
Oedipal and Edible: Roberto Matta Echaurren and Gordon Matta-Clark
Spyros Papapetros, assistant professor, Princeton University
Respondent
Molly Nesbit, professor, Vassar College |
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| 12:00–1:30 p.m. |
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Lunch Break |
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| 1:30–5:30 p.m. |
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Afternoon Session Gordon Matta-Clark: Drawing into Architecture
Drawing the Architecture of Other Spaces
Stephen Walker, lecturer, University of Sheffield
An American in Antwerp: Gordon Matta-Clark's Office Baroque (1977)
Johan Pas, professor, Visual Arts Department of the Antwerp Polytechnic |
 |
| 3:15–3:30 p.m. |
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Break |
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| 3:30–5:30 p.m. |
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Roundtable Discussion Gordon Matta-Clark: The Challenges of Display and Conservation
Office Baroque (1977)
Betti-Sue Hertz, curator of contemporary art, San Diego Museum of Art
The Interpretation of Cross-Sections in the Work of Matta-Clark
Christian Scheidemann, senior conservator, Contemporary Conservation Ltd.
Splitting (1974) and Food (1971)
Elisabeth Sussman, Sondra Gilman curator of photography, Whitney Museum of American Art
Fresh Air Cart (1972) and Open House (1972)
Mary Jane Jacob, chair and professor of sculpture, School of the Art Institute of Chicago
Moderator
Gwendolyn Owens, consulting curator, Centre Canadien d'Architecture/Canadian Centre for Architecture |
Related Event
Matta-Clark Film Screening at the Getty Center
November 1, Wednesday
7:30 p.m., Harold M. Williams Auditorium, The Getty Center
Free, reservations required
Experience artist Gordon Matta-Clark's work in an evening of rarely-seen films and videos. Trained
as an architect, Matta-Clark is best known for his deconstructions of abandoned buildings and
industrial structures. Since most of the abandoned or demolished structures he cut into or altered were
destroyed soon after, the films offer the only lasting document of the work.
A discussion with Matta-Clark's widow, Jane Crawford, cinematographer Bob Fiore, and Thomas Crow, director
of the Getty Research Institute, will follow the screening. Special outdoor presentation of Conical Intersect.