This exhibition is no longer on view at the San Diego Museum of Art.
Idol of the Moderns: Pierre-Auguste Renoir and American Painting
provides the first investigation of the American critical response
to Renoir between 1904 and 1940 and of his relationship with American
artists who drew inspiration from him and his work. Organized by
the San Diego Museum of Art and curated by Anne Dawson, professor
of art history at Eastern Connecticut State University, and Steven Kern,
SDMA curator of European art, the exhibition presents approximately
forty paintings, one-third of which are by Renoir.
| This exhibition acknowledges Renoir's immense popularity with
critics, collectors, and the public, particularly in the years between
the two world wars. Idol of the Moderns also explores Renoir's
impact on work by leading American artists including George Bellows,
John Sloan, Marsden Hartley, Isabel Bishop, Guy Pène DuBois, and
Morgan Russell, whose admiration of Renoir comes through strongly
in their own work. |
Aside from Renoir
and Cézanne there is little else to stir me but Picasso
and Rousseau and it is in communion with these spirits that
I am working. Renoir is so lovely at this time—the things
he is doing are so simple and so pure and the color so beautiful—
He is perhaps at his best in color just now...
Marsden Hartley to Alfred Stieglitz, November 1912 |
For American painters working within a variety of approaches of
the early twentieth century -- American impressionism, the Ashcan
School, formalist realism, early modernism, regionalism, the Fourteenth
Street School, and academic figure painting -- Renoir's art both
affirmed their most important aesthetic goals and provided a model
of how to achieve them.
Of the Impressionists, the most admired
man in modern circles today is Renoir.
Guy Pène du Bois, June 1914
Support for this exhibition is provided by Mercedes-Benz,
Wells Fargo, The Westgate Hotel, The Potiker Foundation, and John
& Toni Bloomberg.
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