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With wonderfully affected theatricality - arms held out, little legs moving like scissors beneath his paunch, lips pursed, hair oiled, in full stage makeup and evening regalia, with tails flying - he embodies the verve and decadence of the cabaret stage. The poster composition is typical of Lautrec's irreverence for western realism. He sets the viewpoint of the figure from below and that of the stage floor from above - an eastern device (see Japonisme) that reinforces the flat, surface animation of the image and conveys both movement and setting.
Caudieux
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