| In perhaps the gayest of all his images, a giddy, half-length girl is dizzily overwhelmed by the product she advertises. The shapes of the figure flatten and merge into decorative patterns, and the hands emerge on the paper rather than in space. The assertion of two-dimensional design at the expense of naturalism, a feature borrowed from Japanese woodblock prints, gave a visual punch to Lautrec's posters rarely achieved by his contemporaries.
Confetti
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