| The abbot's narrative is actually banal and repetitive, but Lautrec transforms it into riveting drama. With an eye to the sensational, he places the viewpoint in the lower left corner, exactly at the guillotine's lever, allowing the spectator to look up at the blade, across the neck notch and down into a basket opened to catch the severed head. Au Pied de l'Echafaud |
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| INTRODUCTION | EXHIBITION | PARIS & PRINTMAKING | CREDITS | |
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