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According to her critics, she was short on both beauty and talent. Lautrec supposedly intended this riveting blue poster for her tour of the United States, as a pendant to the red poster of her lover, May Belfort. He uses the white of the paper as a positive shape, sparsely defined with brush outlines and four directional strokes, while pattern is confined to the swirling underside of May's skirt.
May Milton
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