SAN DIEGO MUSEUM OF ART LAUNCHES MAJOR GROUP EXHIBITION OF CONTEMPORARY ASIAN ART
Past in Reverse: Contemporary Art of East Asia
November 6, 2004-March 6, 2005
Click here to download high-res images
SAN DIEGO—On November 6, 2004, the San Diego Museum of Art (SDMA) is unveiling a major group exhibition
featuring many important established and up-and-coming artists from China, Japan, South Korea, Taiwan,
and Hong Kong. Titled Past in Reverse: Contemporary Art of East Asia, this internationally touring
exhibition organized by SDMA provides American museum goers a rare, yet extensive look at work from
several vital artistic communities from Asia that are quickly gaining a foothold on the world cultural stage.
The exhibition is curated by SDMA's curator of contemporary art, Betti-Sue Hertz, and includes 21 artists and artist
groups who have created innovative works representing some of the newest trends in an increasingly globalized art
world. Among the featured artists are Soun-gui Kim, Cai Guo-Qiang, Wang Qingsong, Tadasu Takamine, Hiroshi Fuji,
Michael Lin, and Leung Mee Ping. Major funding for the exhibition is provided by an Emily Hall Tremaine Exhibition Award.
This multifaceted exhibition showcases cutting-edge artists working in a diversity of mediapainting, sculpture,
photography, video, installation, digital mediawho use contemporary approaches that reflect their respective
cultural and artistic backgrounds. Occupying several of the Museum's galleries, each artist's work is featured
in a separate section while accompanying wall textsin both English and Spanisharticulate how the artist is
responding to historical precedents. By including recent, new, and commissioned works, the exhibition also
serves as an introduction to the latest trends in contemporary East Asian art.
The artists and artist groups included in the exhibition, listed here by country or region of origin, are:
China
- Cai Guo-Qiang (b. 1957, born in Quanzhou, lives in New York), drawing/public events
- Cao Fei (b. 1978, born and lives in Guangzhou), photography
- Shao Yinong and Muchen (b. 1961 and 1970, born in Xining and Lianong, both live in Beijing), photography
- Wang Jianwei (b. 1958, born in Sichuan Province, lives in Beijing), video
- Wang Qingsong (b. 1966, born in Hubei Province, lives in Beijing), video
- Yang Fudong (b. 1971, born in Beijing, lives in Shanghai), video
- Yangjiang Calligraphy Group with Zheng Guogu, Sha Yeya, Chen Zaiyan, and Sun Qinglin (live in Yangjiang), mixed-media installation
Hong Kong
- Leung Mee Ping (b. 1961, born and lives in Hong Kong), video installation/performance
- Wilson Shieh (b. 1970, born and lives in Hong Kong), drawing
Japan
- Ryoko Aoki (b. 1973, born in Hyougo, lives in Kyoto), drawing installation
- Hiroshi Fuji (b. 1960, born in Kyoto, lives in Fukuoka Prefecture), mixed-media installation
- Mitsushima Takayuki (b. 1954, born and lives in Kyoto), installation
- Tadasu Takamine (b. 1968, born in Kagoshima, lives in Gifu), mixed media installation/performance
- Shizuka Yokomizo (b. 1966, born in Tokyo, lives in London), photography/video
South Korea
- Flyingcity: Urbanism Research Group (based in Seoul), interventions/mixed-media installation/video
- Hee-Jeong Jang (b. 1970, born and lives in Seoul), painting
- Soun-gui Kim (b. 1946, born in Pou-yo, Chung-Nam, lives in Paris), video installation/photography
- Kim Young Jin (b. 1961, born in Busan, lives in Seoul), video installation
Taiwan
- G8: Public Relations and Art Consultants Collaborative (based in Taipei), interventions/installation
- Hung Yi (b. 1970, born and lives in Taichung), painting/sculpture/mixed-media installation
- Michael Lin (b. 1964, born in Tokyo, lives in Paris and Taipei), architectural painting
Accessing the past to map the future, these artists explore aesthetic and conceptual principles that are rooted in
the arts and culture of their particular region. Whether they work in traditional genres such as painting and
sculpture or newer technologies such as photography, video, and digital media, they assert their connection to
Chinese, Korean, or Japanese culture through a variety of avenues.
For example, some artists like Wilson Shieh and the Yangjiang Calligraphy Group use traditional materials and
techniques while others, like Cai Guo-Qiang and Soun-gui Kim, engage established religious iconography and
philosophical ideas. Others, like Hiroshi Fuji and Cao Fei, explore interactions with the everyday physical
world to reclaim endemic ways of seeing and being.
Another approach employed by certain artists is to reveal new views on their cultural history and interdependencies
within the region by drawing on, for instance, craft-based methods (Ryoko Aoki, Tadasu Takamine), landscape and
floral imagery (Michael Lin, Wang Qingsong, Yang Fudong, Hee-Jeong Jang), family histories (Kim Young Jin), or
indigenous concepts of time and space (Soun-gui Kim, Shizuka Yokomizo, Mitsushima Takayuki). Still others address
modern political histories and their impact on the individual and the construction of social relations and space
in urban centers (Flying City, Wang Jianwei, G8).
The selection of artists presented in Past in Reverse reveal that in spite of cultural proximity, there is
as much disconnect as common ground among artists from any particular region, placing into doubt the possibility
of a regional aesthetic. What is clear is that as Asia continues to participate more wholeheartedly in the
international art scene, it is slowly becoming more confident that its cultural impact, while not as influential
as its economic one, is steadily growing.
Past in Reverse: Contemporary Art of East Asia is made possible in part by an Emily Hall Tremaine Exhibition Award.
Exhibition Tour
| San Diego Museum of Art |
 |
Nov. 6, 2004-Mar. 6, 2005 |
| Kemper Museum of Contemporary Art, Kansas City, MO |
 |
June 3-Sept. 4, 2005 |
| Hood Museum of Art, Dartmouth College, Hanover, NH |
 |
Jan. 15-Mar. 12, 2006 |
Hong Kong Museum of Art (pending) (dates subject to change) |
 |
2006 |
Catalogue
The exhibition is accompanied by a 176-page soft-cover catalogue featuring an introductory essay by the exhibition's
curator Betti-Sue Hertz as well as four other scholarly essays by an international team of noted experts: Taehi
Kang (South Korea), Li Xianting (China), Midori Matsui (Japan), and Zhang Zhaohui (China). Also included are
extended entries devoted to each artist, a checklist of the exhibition, and biographies of the artists and
essayists.
Symposium
"Same and Different: Art, Artists, and Cultural Space in East Asia"
November 6, 2004 (time TBA)
San Diego Museum of Art, James S. Copley Auditorium
A full-day symposium scheduled for the opening date of the exhibition will include discussions
with prominent art critics and art historians from East Asia as well as conversations with the
artists represented in the exhibition.
Exhibition Hours
Tuesday-Wednesday, Friday-Sunday: 10:00 a.m.-6:00 p.m.;
Thursday: 10:00 a.m.-9:00 p.m.
Exhibition Prices
Adults $9; seniors (65+), young adults (18-24), students and military with I.D. $7; children (6-17) $4. Children 5 and under are free.
Museum Information
San Diego Museum of Art
1450 El Prado, Balboa Park
Mailing Address:
P.O. Box 122107
San Diego, CA 92112-2107
General Information: (619) 232-7931 / Facsimile: (619) 232-9367
Group Sales: (619) 696-1915
Web site: www.sdmart.org
Image credit: Cao Fei, Game Series: Wine Vessel Floating in the Meandering, color photograph, 2000. 170 x 122 cm. Courtesy of the artist.
The historic San Diego Museum of Art provides a rich and diverse cultural experience for more than 400,000 annual visitors. Located
in the heart of beautiful Balboa Park, the Museum's nationally renowned collections include Spanish and Italian old masters, South
Asian paintings, and 19th- and 20th-century American paintings and sculptures. In addition, the Museum regularly features major
exhibitions of art from around the world, as well as an extensive year-round schedule of supporting cultural and educational
programs.