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DTSTART;TZID=America/Los_Angeles:20230715T100000
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SUMMARY:Celebration and Sleuthing: The Strange History of Philadelphia's South Indian Temple Hall
DESCRIPTION:Saturday\, July 15\n10:00 a.m.–noon PT\nSpeaker: Darielle Mason\, Ph.D.\, The Stella Kramrisch Curator of Indian and Himalayan Art\, Head of the Department of South Asian Art\, Philadelphia Museum of Art\nVirtual Event \nIn 1919 more than sixty huge carved granite blocks from Southeastern India were offloaded onto the lawn of a museum in Philadelphia. Their unique story spans over a century and reaches across the globe. This talk\, drawn from the 2022 book by Dr. Mason\, Storied Stone: Reframing the Philadelphia Museum of Art’s South Indian Temple Hall\, introduces the history of these carvings and some of the individuals involved in their movement and reinterpretation. It will pull back the curtain on decision-making in the museum and introduce the detective work of finding the blocks’ origins. In the end\, we will think together about what it means for a US fine arts museum to “own” parts of a Hindu temple in the past and today. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured: Storied Stone: Reframing the Philadelphia Museum of Art’s South Indian Temple Hall by Dr. Mason book cover detail.
URL:https://www.sdmart.org/event/celebration-and-sleuthing-the-strange-history-of-philadelphias-south-indian-temple-hall/
LOCATION:CA
CATEGORIES:Lecture,Support Council
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DTSTART;TZID=America/Los_Angeles:20230727T130000
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SUMMARY:The Art of Literacy in Early Modern Japan
DESCRIPTION:Thursday\, July 27\n1:00–3:00 p.m. PT\nSpeaker: Mai Yamaguchi\, Andrew W. Mellon Assistant Curator of Japanese and Korean Art at the Minneapolis Institute of Art\nVirtual Event \n  \nReading and writing were popular pastimes in early modern Japan. From the 1600s to the 1800s\, the printing industry developed rapidly\, making printed materials available to readers in urban and rural areas alike. Woodblock printing meant that books and prints could be mass produced\, sold cheaply\, and distributed widely. Readership grew steadily as temple schools taught basic reading and writing to people from the merchant and lower classes. This talk considers two forms of literacy\, textual and visual\, that enabled people to participate in a burgeoning public life and complements an exhibition of the same name on view until August 6\, 2023\, at the Minneapolis Institute of Art. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Tsukioka Yoshitoshi\, I want to cancel my subscription (detail)\, 1878. Woodblock print (nishiki-e); ink and color on paper. Minneapolis Institute of Art; the Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation\, Gifts of Various Donors\, by exchange\, and Gift of Edmond Freis in Memory of his Parents\, Rose and Leon Freis\, 2017.106.137.
URL:https://www.sdmart.org/event/the-art-of-literacy-in-early-modern-japan/
LOCATION:CA
CATEGORIES:Lecture,Support Council
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