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DTSTART;TZID=America/Los_Angeles:20231020T100000
DTEND;TZID=America/Los_Angeles:20231020T120000
DTSTAMP:20260621T021445
CREATED:20231002T170219Z
LAST-MODIFIED:20241218T162409Z
UID:37772-1697796000-1697803200@www.sdmart.org
SUMMARY:In Search of Sonder: Inspiring Empathy through Art
DESCRIPTION:Friday\, October 20\n10:00 a.m. PT\nSpeakers: Carlo Miranda\, Artist and Anita Feldman\, Deputy Director for Curatorial Affairs\, The San Diego Museum of Art\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \n“Sonder” is a term coined by author John Koenig\, meaning “the profound feeling of realizing that everyone\, including strangers passing in the street\, has a life as complex as one’s own\, which they are constantly living despite one’s personal lack of awareness of it. Each subject has their own story\, their own dreams and desires and worries.” \nLocal artist Carlo Miranda (Filipino-American\, b. 1988) showcases ten recent paintings in his intimate exhibition\, Carlo Miranda: In Search of Sonder\, on view at The San Diego Museum of Art through November 19\, 2023. His personal and hyperrealistic portraits\, painted in oil on panel\, depict those closest to him: his family\, his friends\, his barber. \nJoin Miranda and Anita Feldman\, Deputy Director for Curatorial Affairs\, for an in-person conversation as they discuss Miranda’s life and the inspiration for his exhibition at the Museum. Hear too about Miranda’s process in creating his signature hyperrealistic portraits and how he aims to help viewers develop empathy toward his subjects or even construct imaginary stories of their lives. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater. \n$10 members and students | $15 seniors and military | $20 nonmembers \nSave my spot!\n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which focuses on works of art on view in the Museum as well as topics of interest in the broader art world. Lectures are followed by docent-led virtual tours. \nSponsored by The San Diego Museum of Art Docent Council. \n  \nFeatured: Carlo Miranda\, The Barber (detail)\, 2022. Oil on panel. Courtesy of the artist.
URL:https://www.sdmart.org/event/in-search-of-sonder-inspiring-empathy-through-art/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Docent Council,Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2022/12/The-Barber-by-Carlo-Miranda_IL2022-17-1-resize_web-edit_square.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231021T100000
DTEND;TZID=America/Los_Angeles:20231021T120000
DTSTAMP:20260621T021445
CREATED:20230911T182024Z
LAST-MODIFIED:20241218T162400Z
UID:37671-1697882400-1697889600@www.sdmart.org
SUMMARY:Beyond the Sharp Edge: Iconography of Indic Arms — CANCELED
DESCRIPTION:Saturday\, October 21\n10:00 a.m.–noon PT\nSpeaker: Ravinder Reddy\, MD\, FRAS\, South Asian Arts Council\, The San Diego Museum of Art\nVirtual Event \n  \nUPDATE: This lecture has been canceled. Please stay tuned for a rescheduled date. \nIndian arms and armor are frequently adorned with auspicious and sacred imagery to induce shakti (divine power) to enter them\, thus transforming functional objects into implements that hold within them the quality of numen—magical or divine power. This presentation will survey the varieties of Hindu sacred images—goddesses\, gods\, demi-gods\, mythological beasts—that adorn arms and armor of the Indian subcontinent\, and explore the underlying reasons why these specific images may have been chosen among the vast pantheon of Indian sacred imagery. \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured at top right: © Ravi Reddy
URL:https://www.sdmart.org/event/beyond-the-sharp-edge-iconography-of-indic-arms/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2023/09/SAAC_Beyond-the-Sharp-Edge-Iconography-of-Indic-Arms-2_square_resize.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231026T100000
DTEND;TZID=America/Los_Angeles:20231026T120000
DTSTAMP:20260621T021445
CREATED:20231016T183431Z
LAST-MODIFIED:20241218T162348Z
UID:37818-1698314400-1698321600@www.sdmart.org
SUMMARY:Washi Transformed: Nine Contemporary Japanese Artists Take on Traditional Handmade Paper
DESCRIPTION:Thursday\, October 26\n1:00–3:00 p.m. PT\nSpeaker: Meher McArthur\, Asian art historian\nVirtual Event \nJoin us as Japanese art historian Meher McArthur discusses her upcoming exhibition Washi Transformed: New Expressions in Japanese Paper on view at the Mingei International Museum October 14\, 2023–January 7\, 2024. McArthur will present the works of nine Japanese artists featured in the exhibition: Hina Aoyama\, Eriko Horiki\, Kyoko Ibe\, Yoshio Ikezaki\, Kakuko Ishii\, Yuko Kimura\, Yuko Nishimura\, Takaaki Tanaka\, and Ayomi Yoshida. These artists have different approaches in the use of traditional Japanese handmade paper\, or washi\, as a medium for their works of contemporary art\, from spectacular sculptures and installations to sublime wall pieces\, screens\, and installations. \n  \nSpeaker Biography \nMeher McArthur is an Asian art historian specializing in Japanese art\, with degrees from Cambridge University and London University’s School of Oriental and African Studies (SOAS). She was Curator of East Asian Art at Pacific Asia Museum\, Pasadena\, CA (1998-2006) and for over a decade has curated traveling exhibitions for International Arts & Artists (IA&A)\, most recently Washi Transformed: New Expressions in Japanese Paper (2021-2024). She was Creative Director for the Storrier Stearns Japanese Garden\, Pasadena (2014-2020)\, Academic Curator for Scripps College\, Claremont (2018-2020) and Art and Cultural Director for JAPAN HOUSE Los Angeles (2020-2022). Her major publications include Gods and Goblins: Folk Paintings from Otsu (PAM\, 1999)\, Reading Buddhist Art (Thames & Hudson\, 2002)\, The Arts of Asia (Thames & Hudson\, 2005)\, Confucius (Pegasus Books\, 2011)\, Folding Paper: The Infinite Possibilities of Origami (IA&A\, 2012)\, New Expressions in Origami Art (Tuttle\, 2017)\, Washi Transformed: New Expressions in Japanese Paper (IA&A\, 2021) and An ABC of What Art Can Be (The Getty Museum\, 2010). \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Eriko Horiki\, Washi Light Object TANE\, 2017\, Washi paper and resin mold\, light fixture (steel)\, Image courtesy of the artist\, © Eriko Horiki.
URL:https://www.sdmart.org/event/washi-transformed/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2023/10/Eriko-Horiki-Group-of-Ishi-Stone-Light-Object-2017-Washi-and-resin-mold-light-fixture-steel_Courtesy-of-the-artist-and-Eriko-Horiki-and-Associates.jpg
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