BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//San Diego Museum of Art - ECPv6.16.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:San Diego Museum of Art
X-ORIGINAL-URL:https://www.sdmart.org
X-WR-CALDESC:Events for San Diego Museum of Art
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20240310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20241103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20250309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20251102T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20260308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20261101T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251122T160000
DTEND;TZID=America/Los_Angeles:20251122T173000
DTSTAMP:20260802T222939
CREATED:20251014T164751Z
LAST-MODIFIED:20251119T192944Z
UID:346495-1763827200-1763832600@www.sdmart.org
SUMMARY:Nick Cave: A Conversation on Art and Identity
DESCRIPTION:Saturday\, November 22\n4:00 p.m.\nSpeaker: Nick Cave\, Artist\nSDMA James S. Copley Auditorium and Online\nHybrid Event \nJoin us for an evening with renowned artist Nick Cave\, whose multidisciplinary practice spans sculpture\, installation\, performance\, and video. Best known for his celebrated Soundsuits\, elaborate full-body sculptures that merge art\, fashion\, and social commentary\, Cave creates work that speaks to issues of identity\, race\, and healing. His work Rescue\, from the Museum’s permanent collection\, is currently on view in the Art of the Americas galleries\, offering audiences a chance to experience his practice firsthand. \nThe program will begin with a talk by the artist reflecting on his body of work\, followed by a conversation-style interview and an audience Q&A. This special event offers an opportunity to hear directly from Cave about the ideas\, processes\, and social concerns that shape his practice. \n  \nThis is a hybrid event. Please select in-person tickets to experience the event in-person at SDMA or livestream tickets to enjoy the event online from the location of your choice. Doors open at 3:30 p.m. for in-person attendees. Livestream ticket holders will receive the viewing link prior to the program.  \nIn-person event tickets are now sold out. Livestream tickets remain available. Get your tickets today!\nIn-Person Tickets: $20 for members | $25 students\, seniors\, and military | $35 nonmembers  \nLivestream Tickets: $5 for members | $10 students\, seniors\, and military | $20 nonmembers \nGet Livestream Tickets \n  \n  \n  \nThis artist talk is presented as part of the Guest Lecture Series and SDMA+ programming. \n\n  \n  \nSupport for this program is provided by Nissan Foundation.  \n\n  \nFeatured at top right: Photo of Nick Cave by John Edmonds
URL:https://www.sdmart.org/event/nick-cave-a-conversation-on-art-and-identity/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Artist Talk,Guest Lecture Series,Lecture,SDMA+
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/10/Nick-Cave-By-John-Edmonds_web-resize.jpg
GEO:32.732119;-117.1504179
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The San Diego Museum of Art 1450 El Prado San Diego CA 92102 United States;X-APPLE-RADIUS=500;X-TITLE=1450 El Prado:geo:-117.1504179,32.732119
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251030T130000
DTEND;TZID=America/Los_Angeles:20251030T150000
DTSTAMP:20260802T222939
CREATED:20251003T003813Z
LAST-MODIFIED:20251003T004057Z
UID:357344-1761829200-1761836400@www.sdmart.org
SUMMARY:Japan’s Manga Revolution: From Painted Scrolls to Comic Books
DESCRIPTION:Thursday\, October 30\n1:00–3:00 p.m. PT\nSpeaker: Andreas Marks\, Mary Griggs Burke Curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art\, Minneapolis Institute of Art\nVirtual Event \nStorytelling has always played an important role in Japanese visual arts. Over a thousand years ago\, painted handscrolls began to appear in Japan that enhanced text with pictures. This tradition of interplay between word and image continued in the form of illustrated books and remains active today in modern manga comics. Coinciding with the release of his new book\, “Japan’s Manga Revolution\,” this talk by art curator Andreas Marks will provide an overview of Japanese illustrated books in premodern times covering subjects from poetry to celebrated beauties and famous kabuki actors to adventure tales. This survey ends with the birth of political cartoons in Japan in the early 20th century. \nSpeaker bio: Andreas Marks oversees the renowned collection of Japanese and Korean art at the Minneapolis Institute of Art (Mia). He came to Mia from the Clark Center for Japanese Art and Culture\, in California\, where he was the director and chief curator for five years starting in 2008. Andreas has a PhD from Leiden University in the Netherlands and a master’s degree in East Asian Art History from the University of Bonn\, Germany. With more than 20 years of experience in the field of Japanese art\, Marks has curated more than 60 exhibitions at 38 institutions in the world\, including the Birmingham Museum of Art; Detroit Institute of Arts; the Honolulu Museum of Art; San Antonio Museum of Art; and the Suntory Museum of Art\, Tokyo\, Japan\, some of which have been reviewed in the Wall Street Journal and The New York Times. Marks has lectured at 43 institutions in the US\, Europe\, and Asia\, and is an award-winning author of 24 books and countless essays about various aspects of Japanese art. In 2024\, he was awarded the commendation of the Japanese Ministry of Foreign Affairs for his contributions to the promotion of Japanese culture. \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place. \nSave my spot!\nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Katsushika Hokusai\, The guardian spirit kills Shinosuke\, illustration from vol. 4 of A Rustic Tale of Two Heirs (Beibei kyōdan)\, 1815. Woodblock printed book (hanshibon); ink on paper. Edo-Tokyo Museum.
URL:https://www.sdmart.org/event/japans-manga-revolution-from-painted-scrolls-to-comic-books/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/10/Katsushika-Hokusai-The-guardian-spirit-kills-Shinosuke-illustration-from-vol.-4-of-A-Rustic-Tale-of-Two-Heirs-Beibei-kyodan-1815.-Edo-Tokyo-Museum_web-resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251017T100000
DTEND;TZID=America/Los_Angeles:20251017T113000
DTSTAMP:20260802T222939
CREATED:20250922T194622Z
LAST-MODIFIED:20251014T183549Z
UID:342475-1760695200-1760700600@www.sdmart.org
SUMMARY:The Universe of Alfredo Castañeda
DESCRIPTION:Friday\, October 17\n10:00 a.m.\nSpeakers: Raymundo Silva\, Curator\, Alfredo Castañeda: Beyond Surrealism\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nThe San Diego Museum of Art continues its Guest Lecture Series with a presentation by Raymundo Silva Madrid\, curator of the Museum’s current exhibition\, Alfredo Castañeda: Beyond Surrealism. Join us as Silva shares his curatorial perspective on this visionary Mexican artist\, known for his deeply symbolic and introspective paintings that blend surrealism with philosophical reflection. This exhibition marks the first solo exhibition of Castañeda’s work in a U.S. museum\, and the lecture will offer exclusive insights into the development of the exhibition and a deeper understanding of Castañeda’s artistic language and legacy. \nFollowing the lecture\, guests are invited to enjoy a guided tour of the exhibition led by our docent team. \nThis lecture will be conducted in Spanish with simultaneous English translation. \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $25 nonmembers \nSave My Spot \n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and the museum’s collections. \n  \nSponsored by The San Diego Museum of Art Docent Council. \n  \nFeatured at top right: Alfredo Castañeda\, Memento for an Exile (Recordatorio para un exilado) (detail)\, 1989. Oil on canvas. Private collection. Photo: Germán Romero Martínez / Alex Michajlowski.
URL:https://www.sdmart.org/event/universe-of-alfredo-castaneda/
LOCATION:CA
CATEGORIES:Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/08/Alfredo-Castaneda_Recordatorio-para-un-exiliado.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250925T130000
DTEND;TZID=America/Los_Angeles:20250925T150000
DTSTAMP:20260802T222939
CREATED:20250915T211829Z
LAST-MODIFIED:20251106T171532Z
UID:337208-1758805200-1758812400@www.sdmart.org
SUMMARY:A Japanese Art Journey: A Curator’s Memoir of Paper Dolls\, Woodblock Prints and Polka Dot Pumpkins
DESCRIPTION:Thursday\, September 25\n1:00–3:00 p.m. PT\nSpeaker: Meher McArthur\, Curator\, East Asian Art at Pacific Asia Museum; Creative Director\, Storrier Stearns Japanese Garden\nVirtual Event \n  \nMeher McArthur was born in India to a Scottish father and Persian mother and grew up in Scotland\, Canada\, and England feeling very out of place. Hoping to go into international business\, she studied Japanese at college and lived in Japan for two years but fell in love with Japanese art and took a new direction. She became a Japanese art historian and has been passionately curating Japanese art exhibitions in museums and galleries and for national tour for over 25 years. This lecture is a sneak preview of her new memoir (October 2025) and will highlight some of the most significant art works in her life and career and show how Japanese art helped her find her place in the world.\n \nSpeaker bio: Meher McArthur is an Asian art historian specializing in Japanese art. She worked as a curator of East Asian Art at Pacific Asia Museum and Creative Director for the Storrier Stearns Japanese Garden\, both in Pasadena and was Academic Curator for Scripps College in Claremont and Art and Cultural Director for Japan House\, Los Angeles. She curates traveling exhibitions for International Arts & Artists (IA&A)\, currently Washi Transformed: New Expressions in Japanese Paper and upcoming KIMONO: Garment\, Canvas\, and Artistic Muse. Her publications include Gods and Goblins: Folk Paintings from Otsu (PAM\, 1999)\, Reading Buddhist Art (Thames & Hudson\, 2002)\, The Arts of Asia (Thames & Hudson\, 2005)\, An ABC of What Art Can Be (Getty Museum\, 2010)\, New Expressions in Origami Art (Tuttle\, 2017)\, and Washi Transformed: New Expressions in Japanese Paper (IA&A\, 2021). She lives in Pasadena\, California.\n\n\nPlease note\, this session will be conducted virtually via Zoom.\n\nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n\nSave my spot!\n\n\nSponsored by the Asian Arts Council.
URL:https://www.sdmart.org/event/a-japanese-art-journey-a-curators-memoir-of-paper-dolls-woodblock-prints-and-polka-dot-pumpkins/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/09/AAC-Sept-2025_Meher-and-Pumpkin-higher-res.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250919T100000
DTEND;TZID=America/Los_Angeles:20250919T113000
DTSTAMP:20260802T222939
CREATED:20250911T220940Z
LAST-MODIFIED:20250917T215759Z
UID:336202-1758276000-1758281400@www.sdmart.org
SUMMARY:Eduardo Chillida: Convergence - CANCELED
DESCRIPTION:Friday\, September 19\n10:00 a.m.\nSpeakers: Rachel Jans\, PhD\, Associate Curator of Modern and Contemporary Art\, The San Diego Museum of Art\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nEvent Canceled.\nJoin us for a special talk by Dr. Rachel Jans\, Associate Curator of Modern and Contemporary Art at the Museum. Dr. Jans will be sharing insights on the life and work of Eduardo Chillida\, a visionary sculptor who transformed the way we think about form\, space\, and material. Her talk will explore Chillida’s artistic philosophy\, material experimentation\, and lasting contributions to modern sculpture. This program is presented in conjunction with the Museum’s current feature exhibition Eduardo Chillida: Convergence\, offering audiences a deeper appreciation of the artist’s powerful legacy. \nFollowing the lecture\, guests are invited to enjoy a guided tour of the exhibition led by our docent team. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $25 nonmembers \n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and the museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council.
URL:https://www.sdmart.org/event/eduardo-chillida-convergence/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/01/Chillida_1976_013_Peine-del-viento-XV_NKO_0727_Foto-Inigo-Santiago_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250828T130000
DTEND;TZID=America/Los_Angeles:20250828T150000
DTSTAMP:20260802T222939
CREATED:20250806T230856Z
LAST-MODIFIED:20250827T222920Z
UID:314486-1756386000-1756393200@www.sdmart.org
SUMMARY:Envisioning the Empress: Images of Japanese Imperial Women
DESCRIPTION:Thursday\, August 28\n1:00–3:00 p.m. PT\nSpeaker: Alison Miller\, PhD\, Associate Professor of Art History and Director of Asian Studies at the University of the South (Sewanee)\nVirtual Event \n  \nJoin the Asian Arts Council on an exploration of the public images of Japanese empresses during the late 19th and early 20th centuries. Based on research completed for her book\, Envisioning the Empress: The Lives and Images of Japanese Imperial Women\, 1868-1952\, Alison Miller\, PhD\, Associate Professor of Art History and Director of Asian Studies at the University of the South (Sewanee)\, will introduce and analyze the public images of the modern Japanese empresses\, discussing how visual culture elevated the women as celebrity role models. As imperial images were a completely new invention in the second half of the 19th century\, this talk will discuss the varied influences on the woodblock prints\, lithographs\, and photographs of the empresses\, and how they worked to establish the women as individuals\, but also timeless in the public eye. \nSpeaker Bio: Alison J. Miller\, Associate Professor of Art History and Director of Asian Studies at the University of the South (Sewanee)\, is a specialist in modern and contemporary Japanese art history\, focusing on two-dimensional media\, gender\, and the imperial family. She has published in the Journal of Japanese Studies\, TransAsia Photography Review\, Asian Diasporic Visual Cultures and the Americas (ADVA)\, and various public humanities projects and museum catalogues. She is co-editor and contributing author for The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity (Routledge\, 2021) and Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (Brill\, 2024). Her book\, Envisioning the Empress: The Lives and Images of Japanese Imperial Women\, 1868-1952 (Routledge\, 2025) analyzes the social impact of the images of the modern Japanese empresses. Miller received her PhD from the University of Kansas and has taught at Bowdoin College and the Kansas City Art Institute. Her work has been funded by a Fulbright Fellowship\, Foreign Language Area Studies Fellowship\, Robert and Lisa Sainsbury Fellowship\, Appalachian College Association Faculty Fellowship\, and Mellon Postdoctoral Fellowship\, among others. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Utagawa Kunitoshi\, Illustration of the imperial carriage\, (Gohōren no zu) (detail)\, 1889. One sheet of a triptych of woodblock prints; ink and color on paper. Gift of Lincoln Kirstein\, 1959\, Metropolitan Museum of Art\, JP3230.
URL:https://www.sdmart.org/event/envisioning-the-empress-images-of-japanese-imperial-women/
LOCATION:CA
CATEGORIES:Lecture,Member Event,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/08/Utagawa-Kunitoshi-Illustration-of-the-imperial-carriage-Gohoren-no-zu-1889_TheMet_DP146905_web_square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250801T180000
DTEND;TZID=America/Los_Angeles:20250801T203000
DTSTAMP:20260802T222939
CREATED:20250606T233541Z
LAST-MODIFIED:20250606T233541Z
UID:160662-1754071200-1754080200@www.sdmart.org
SUMMARY:Friends' Lecture & Reception: Eduardo Chillida
DESCRIPTION:Friday\, August 1\, 2025\n6:00 p.m. Lecture (ticketed event)\n7:00–8:30 p.m. Private Reception\nSDMA James S. Copley Auditorium \n  \nGain unique insights into the life and work of Eduardo Chillida in a special conversation between the artist’s grandson\, Mikel Chillida\, and Rachel Jans\, Ph.D.\, Associate Curator of Modern and Contemporary Art\, The San Diego Museum of Art. \nA visionary artist\, Eduardo Chillida’s body of work is closely linked to the landscape and traditions of his Basque Country homeland in northern Spain and frequently invokes the earth\, sea\, wind\, and light\, as well as his inspirations from music\, philosophy\, and architecture. The most comprehensive survey of Chillida’s work in North America in nearly half a century\, this exhibition encompasses the full range of the artist’s practice\, including works on paper and sculptures created from forged iron\, oak\, alabaster\, and clay. Each of these creations are points of convergence where myriad forces\, including nature and culture\, material and immaterial\, form and void\, all meet. \nEduardo Chillida: Convergence is on view at The San Diego Museum of Art from August 2\, 2025\, through February 8\, 2026. The exhibition is accompanied by a full-color catalog that can be purchased at The Museum Store. \n  \nTickets for admission to the lecture only are available to general membership and the public. \nFriend-level members and above enjoy free admission to the lecture and a private reception from 7:00–8:30 p.m. inside the Museum rotunda. Please reserve your complimentary ticket using the link below. \nLecture & Reception Tickets (Friends & Above) \nFor information on upgrading your membership\, please call 619.696.1941. \n  \nLecture tickets are available starting Monday\, June 16 at 10:00 a.m. PT. \nLecture Tickets \n$15 members & students | $20 seniors & military | $25 nonmembers \n  \nFeatured: Eduardo Chillida\, Comb of the Wind XV (Peine del viento XV)\, 1976. Courtesy the Estate of Eduardo Chillida and Hauser & Wirth. Photographer: Iñigo Santiago © Zabalaga Leku\, ARS\, San Diego\, 2025. Courtesy the Estate of Eduardo Chillida and Hauser & Wirth.
URL:https://www.sdmart.org/event/friends-lecture-reception-eduardo-chillida/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Exhibitions,Lecture,Member Event
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/01/Chillida_1976_013_Peine-del-viento-XV_NKO_0727_Foto-Inigo-Santiago_resize.jpg
GEO:32.732119;-117.1504179
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The San Diego Museum of Art 1450 El Prado San Diego CA 92102 United States;X-APPLE-RADIUS=500;X-TITLE=1450 El Prado:geo:-117.1504179,32.732119
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250731T130000
DTEND;TZID=America/Los_Angeles:20250731T150000
DTSTAMP:20260802T222939
CREATED:20250714T184220Z
LAST-MODIFIED:20250714T184220Z
UID:294530-1753966800-1753974000@www.sdmart.org
SUMMARY:Vow Icons for Daigoji: Imperial Guardians on a Sacred Mountaintop
DESCRIPTION:Thursday\, July 31\n1:00–3:00 p.m. PT\nSpeaker: Rachel Quist\, PhD\, Assistant Professor of Art History at Case Western Reserve University\nVirtual Event \n  \nIn 907\, a group of eight Buddhist icons was commissioned for Daigoji\, a temple atop Mount Kasatori in Kyoto\, following an imperial decree from Emperor Daigo. This lecture examines how these sculptures—a triad of the Medicine Buddha (Yakushi Nyorai) with two attendants and a pentad of the Five Great Wisdom Kings (Godai Myōō)—functioned as agents of ritual protection for the emperor\, drawing on longstanding ties between these deities\, sacred mountains\, and healing waters. Drawing on temple records\, ritual precedents\, and imperial diaries\, Dr. Rachel Quist explores how Daigo’s bond with Daigoji shaped both his legacy and the political-religious landscape of his reign. \nSpeaker bio: Dr. Rachel Quist is an Assistant Professor of Art History at Case Western Reserve University\, whose research focuses on Japanese Buddhist visual culture. She investigates the interactions between Buddhist icons\, their worshipers\, and their natural environs. Her first manuscript project examines visual culture at Daigoji\, illuminating the centrality of sculptural icons within the complex interplay of medicinal rituals\, imperial politics\, and the cosmic worldview of premodern Japan. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Yakushi Nyorai triad (detail)\, Daigoji Reihōkan Museum\, Daigoji\, Kyoto
URL:https://www.sdmart.org/event/vow-icons-for-daigoji-imperial-guardians-on-a-sacred-mountaintop/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/07/Yakushi-Nyorai-triad-Daigoji-Reihokan-Museum-Daigoji-Kyoto_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250626T130000
DTEND;TZID=America/Los_Angeles:20250626T150000
DTSTAMP:20260802T222939
CREATED:20250618T164853Z
LAST-MODIFIED:20250618T164853Z
UID:273909-1750942800-1750950000@www.sdmart.org
SUMMARY:How the Silk Road Opened
DESCRIPTION:Thursday\, June 26\n1:00–3:00 p.m. PT\nSpeaker: Lily Birmingham\, San Diego Museum of Art Docent and AAC Study Group Chair\nThe San Diego Museum of Art\nBoard Room \n  \nJoin the Asian Arts Council to discover the driving forces behind the network of land routes connecting China with the West. The presentation will focus on how the ancient land route was opened; who moved valuable Chinese silk\, spices\, and jade to the West; and how China received powerful horses\, gold\, silver\, ivory\, and glass products. Roman wealth and power pushed the Silk Road to flourish while the Chinese military controlled the corridors to central Asia\, and the commercial acumen of the Central Asians connected the East and West.  \nSpeaker Bio: Lily Birmingham has been a docent at The San Diego Museum of Art since 2011 and worked as the docent training chair for four years to plan and execute the docent training program. A longtime member of the Asian Arts Council\, Lily has served as AAC chair and is the current Study Group chair. She has a BS in civil engineering\, and an MS in both structural engineering and technical management. Lily started her career as an aerospace engineer and retired as Program Manager from Lockheed Martin Corporation. \n  \nSave your spot by clicking on this link. Please note\, this is an in-person event and includes a hosted tea reception following the lecture. \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \n Featured: Camel\, China\, 8th century. Earthenware. Museum purchase with funds provided by the Helen M. Towle Bequest\, 1941.84.a and 1941.84.b.
URL:https://www.sdmart.org/event/how-the-silk-road-opened/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/06/AAC_Silk-Road_Camels.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250620T100000
DTEND;TZID=America/Los_Angeles:20250620T113000
DTSTAMP:20260802T222939
CREATED:20241220T001557Z
LAST-MODIFIED:20250325T224845Z
UID:54100-1750413600-1750419000@www.sdmart.org
SUMMARY:Reimagining Space: The Future of the San Diego Museum of Art - CANCELED
DESCRIPTION:Friday\, June 20\n10:00 a.m.\nSpeakers: Roxana Velásquez\, Maruja Baldwin Executive Director and CEO\, The San Diego Museum of Art\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nEvent Canceled.\nJoin us for our distinguished annual lecture featuring Roxana Velásquez\, Executive Director and CEO of The San Diego Museum of Art\, as she unveils her visionary outlook for the Museum’s ambitious renovation project. Building on her acclaimed discussion of architectural innovation from last year\, Ms. Velásquez will explore how the planned renovation will transform the Museum experience and strengthen its role as a cultural cornerstone of San Diego. \nDrawing from her extensive experience organizing groundbreaking exhibitions and fostering cross-cultural dialogue\, Ms. Velásquez will share how the renovation will create new possibilities for artistic engagement through thoughtful architectural design. Learn how the innovative use of space\, light\, and form will enhance the presentation of both the permanent collection and traveling exhibitions while honoring the museum’s historic character. \nThis lecture will offer a unique opportunity to understand how modern museum architecture can amplify artistic impact and deepen community connections. Don’t miss this chance to hear directly from one of the art world’s most dynamic leaders about a project that will reshape San Diego’s cultural landscape for generations to come. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and\nthe museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council.
URL:https://www.sdmart.org/event/reimagining-space-the-future-of-the-san-diego-museum-of-art/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Docent Council,Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2023/04/Roxana-Velasquez-2020-IMG_1156-headshot-web_square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250516T100000
DTEND;TZID=America/Los_Angeles:20250516T120000
DTSTAMP:20260802T222939
CREATED:20241220T001345Z
LAST-MODIFIED:20250226T175349Z
UID:54094-1747389600-1747396800@www.sdmart.org
SUMMARY:Drawing Instruction in the Amazon: Artistic Creative Formation in the Mojos Region
DESCRIPTION:Friday\, May 16\n10:00 a.m.\nSpeakers: Verónica Muñoz-Nájar\, PhD\, Associate Curator of Art of the Spanish Americas\, the Thoma Foundation\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nJoin us as Dr. Muñoz-Nájar examines the fascinating intersection of art\, colonialism\, and cultural transformation in 18th-century Amazonia. The presentation explores how Spanish administrator Lázaro de Ribera established drawing schools in the Mojos region as a tool for both “civilizing” Indigenous populations and spurring economic development. \nThe lecture highlights the remarkable work of Indigenous artists including Heugene\, Avirá\, Guayacho\, Guacayane\, Noé\, and Hojeari\, who studied and reinterpreted European masters like Carracci\, Guercino\, and Le Brun. Through their drawings\, these artists created a unique visual language that both emulated European academic traditions and subtly subverted them\, embedding their own cultural perspectives and artistic agency. \nDr. Muñoz-Nájar will demonstrate how these works served as both a bridge and a boundary between colonial authority and Indigenous expression\, revealing how artistic education became a complex space where European aesthetics were simultaneously adopted\, transformed\, and reimagined within the context of Spain’s colonial project in the Americas. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \nSave my spot!\n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and\nthe museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council.
URL:https://www.sdmart.org/event/drawing-instruction-in-the-amazon-artistic-creative-formation-in-the-mojos-region/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Docent Council,Guest Lecture Series,Lecture,Tours,Wonders of Creation
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/12/Munoz-Naja-Luque.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250424T130000
DTEND;TZID=America/Los_Angeles:20250424T150000
DTSTAMP:20260802T222939
CREATED:20250409T171346Z
LAST-MODIFIED:20250409T171346Z
UID:124347-1745499600-1745506800@www.sdmart.org
SUMMARY:Encountering Iban Textiles
DESCRIPTION:Thursday\, April 24\n1:00–3:00 p.m. PT\nSpeaker: Thomas Murray\, HALI magazine Contributing Editor and Kristal Hale\, Conservator of Textiles at the Conservation Center of Los Angeles County Museum of Art (LACMA)\nVirtual Event \n  \nTextiles produced by the Iban people from the island of Borneo are known to convey messages across time and space by means of an archetypal iconography that includes human figures\, trees\, reptiles\, birds\, and geometric patterns. These encoded images follow ancestral traditions and customary laws known as adat; cloth becomes sacred through a combination of fine spinning\, dyeing\, and weaving that creates a sense of aesthetic wonder. \nThe famed anthropologist Alfred Gell referred to this state of mind as the “technology of enchantment”: the better the weaver’s technique\, the greater the cloth’s aesthetic beauty\, the more “agency” of spiritual power within an indigenous cultural context. \n  \nThomas Murray will offer insights into the ritual cloths of the Iban Dayak of Borneo\, share their cultural context within the longhouse way of life\, and present the two theoretical perspectives debated in academia using classical examples from his collection to illustrate his points. \nKristal Hale will bring the conversation into the present\, discussing her experience participating in the Iban Dayak ngar (mordant) ceremony at Rumah Garie Longhouse far upriver on a tributary of the Batang Baleh\, Sarawak\, Malaysian Borneo. The mordanting ceremony chemically and spiritually prepares white\, undyed cotton to bind with the natural plant dyes used in ikat. It is the ikat that gives the famous pua kumbu weavings their ritual power and cultural significance\, but it is only through the use of mordants that the highly valued deep red color from morinda citrifolia can be achieved. \n  \nSpeaker Bios: \nThomas Murray is an independent researcher\, collector\, lecturer\, and private dealer of Asian and tribal art with an emphasis on Indonesian sculpture and textiles\, as well as animistic art from other varied cultures. He also features Indian Trade Cloths from the 14th–18th centuries. \nA HALI Magazine Contributing Editor for the last 30 years\, he serves as their “in-house” expert on all tribal sculpture and textiles\, with over 50 publications. His most recent books\, Textiles of Japan\, Rarities From the Himalayas to Hawaii\, and Textiles of Indonesia\, were met with critical acclaim. Thomas Murray is past president of ATADA\, The Antique Tribal Art Dealers Association\, and served a three-year term as a member of President Obama’s Cultural Property Advisory Committee at the State Department. In a letter from a White House\, President Obama said\, “This dedicated individual brings a wealth of experience and talent to his new role and I am proud to have him serve in the months and years to come.” Thomas Murray continues to consult with museums and private clients all over the world. \nKristal Hale is Conservator of Textiles at the Conservation Center of Los Angeles County Museum of Art (LACMA). She holds an MA in art conservation with a textile specialization from the Bern University of Applied Sciences in collaboration with the Abegg-Stiftung\, Switzerland. Kristal was an Andrew W. Mellon Conservation Fellow at The Michael C. Rockefeller Wing of The Metropolitan Museum of Art\, New York. As someone who is engaged in the intersection of heritage preservation and contemporary museum practices\, Kristal participates in Museums of the 21st Century program with Tracing Patterns Foundation to support conservation education in Indonesia and greater Southeast Asia. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Detail of a ceremonial cloth\, pua’ kumbu’\, patterned with anthropomorphic figures\, Iban people\, Borneo.
URL:https://www.sdmart.org/event/encountering-iban-textiles/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/04/AAC-April_Detail-of-a-ceremonial-cloth-pua-kumbu-patterned-with-anthropomorphic-figures-Iban-people-Borneo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250418T100000
DTEND;TZID=America/Los_Angeles:20250418T113000
DTSTAMP:20260802T222939
CREATED:20241220T001154Z
LAST-MODIFIED:20250529T185014Z
UID:54088-1744970400-1744975800@www.sdmart.org
SUMMARY:Artists and Galleries in the San Diego/Tijuana Region - POSTPONED
DESCRIPTION:Friday\, April 18\n10:00 a.m.\nSpeakers: Lizzie Zelter\, Director and Curator\, TWO ROOMS Gallery\, and Joe Yorty\, Artist\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nEvent rescheduled for June 12\, 2025.\nSee new event info here.\nJoin us for a morning of artistic dialogue with acclaimed artist Lizzie Zelter in conversation with interdisciplinary artist and gallerist Joe Yorty. This engaging panel discussion delves into the art of place-making and the evolving landscape of contemporary art spaces. \nAfter exhibitions from Tel Aviv to Tijuana\, Zelter brings her unique perspective on creating immersive installations and paintings that challenge our understanding of space and belonging. As the visionary director of Two Rooms gallery\, she’ll share insights into curating transformative artistic experiences and fostering community through art. \nJoe Yorty is founding Creative Director of BEST PRACTICE and a multifaceted artist whose work critiques American consumer culture through sculpture\, collage\, video\, and photography. His innovative use of thrift store finds and discarded materials offers a compelling commentary on our relationship with material possessions in the 21st century. \nDon’t miss this rare opportunity to hear from two dynamic forces in the art world. With their combined expertise – Zelter’s Columbia University MFA and background in Cultural Studies\, and Yorty’s UCSD training and experience running both a non-profit gallery and a neighborhood coffee shop – this conversation promises to explore the intersection of art\, community\, and cultural identity from fascinating angles. \nSpace is limited. Experience the convergence of artistic vision and curatorial expertise in this thought-provoking morning session. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \n\n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and\nthe museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council.
URL:https://www.sdmart.org/event/artists-and-galleries-in-the-san-diego-tijuana-region-postponed/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Artist Talk,Docent Council,Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/12/Lizzie-Zelter-Artist-Image-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250327T130000
DTEND;TZID=America/Los_Angeles:20250327T150000
DTSTAMP:20260802T222939
CREATED:20250228T194507Z
LAST-MODIFIED:20250228T194507Z
UID:93150-1743080400-1743087600@www.sdmart.org
SUMMARY:Transcendent Clay: The Kondō Family’s Path of Porcelain Innovations
DESCRIPTION:Thursday\, March 27\n1:00–3:00 p.m. PT\nSpeaker: Andreas Marks\, PhD\, Mary Griggs Burke Curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art\, Minneapolis Institute of Art\nVirtual Event \n  \nThe legacy of porcelain making in Kyoto’s Kondō family was started by Kondō Yūzō (1902–1985) in the 1930s. His sons Yutaka (1932–1983) and Hiroshi (1936–2012) continued what their father had achieved. Ultimately it was the grandson Takahiro (born 1958) who emerged as the family’s greatest innovator by developing the secret technique of applying a “silver mist” (gintekisai) of metallic droplets to his modern forms and using glass in his works. This talk will discuss these four artists in connection with Transcendent Clay\, an exhibition largely of works from the collection of Carol and Jeffrey Horvitz\, that is on view at the Minneapolis Institute of Art\, March 1–September 7\, 2025. \nSpeaker Bio: Andreas Marks oversees the renowned collection of Japanese and Korean art at the Minneapolis Institute of Art (Mia). He came to Mia from the Clark Center for Japanese Art and Culture\, in California\, where he was the director and chief curator for five years starting in 2008. Andreas has a PhD from Leiden University in the Netherlands and a master’s degree in East Asian Art History from the University of Bonn\, Germany. With more than 20 years of experience in the field of Japanese art\, Marks has curated more than 60 exhibitions at 38 institutions in the world\, including the Birmingham Museum of Art; Detroit Institute of Arts; the Honolulu Museum of Art; San Antonio Museum of Art; and the Suntory Museum of Art\, Tokyo\, Japan\, some of which have been reviewed in the Wall Street Journal and The New York Times. Marks has lectured at 43 institutions in the US\, Europe\, and Asia\, and is an award-winning author of 24 books and countless essays about various aspects of Japanese art. In 2024\, he was awarded the commendation of the Japanese Ministry of Foreign Affairs for his contributions to the promotion of Japanese culture. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Kondō Takahiro\, Reduction I\, 2013. Molded and cast porcelain with cobalt blue and green under clear glaze and “Silver Mist.” Minneapolis Institute of Art\, The P.D. McMillan Memorial Fund (2014.64).
URL:https://www.sdmart.org/event/transcendent-clay-the-kondo-familys-path-of-porcelain-innovations/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/02/EL2024.5.1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250321T100000
DTEND;TZID=America/Los_Angeles:20250321T113000
DTSTAMP:20260802T222939
CREATED:20241216T232551Z
LAST-MODIFIED:20241218T160551Z
UID:54067-1742551200-1742556600@www.sdmart.org
SUMMARY:Coexistence
DESCRIPTION:Friday\, March 21\n10:00 a.m.\nSpeakers: Becky Guttin\, Artist\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nDon’t miss hearing artist Becky Guttin as she presents a captivating exploration of cultural fusion and artistic innovation. Drawing from her unique perspective as a binational artist\, Guttin masterfully weaves together the threads of two worlds. Her artistic practice\, which includes the meticulous weaving of traditional sacks and integration of organic materials with technological components\, serves as a metaphor for the rich tapestry of borderland life. \n“I want to focus on everything positive about binationality\,” Guttin explains. “Living on the border\, one crosses back and forth\, witnessing profound experiences that go beyond language – manifesting in food\, landscape\, and ultimately\, in my work.” In her work Guttin demonstrates how seemingly contrasting elements – the organic and the mechanical\, the traditional and the modern\, the domestic and the industrial – can coexist in peaceful harmony. Her work stands as a testament to the power of embracing cultural differences and finding beauty in unexpected connections. \nExplore the intersection of art\, culture\, and identity through the eyes of an artist who has dedicated her life to bridging worlds through creativity and understanding. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \nSave my spot!\n  \n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and\nthe museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council.
URL:https://www.sdmart.org/event/coexistence/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Artist Talk,Docent Council,Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/12/Becky-Guttin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250308T100000
DTEND;TZID=America/Los_Angeles:20250308T120000
DTSTAMP:20260802T222939
CREATED:20250203T195503Z
LAST-MODIFIED:20250307T210714Z
UID:71067-1741428000-1741435200@www.sdmart.org
SUMMARY:The Chandayan: A Sufi Tale of Ishq between Languages\, Cultures & People
DESCRIPTION:Saturday\, March 8\n10:00 a.m. PT\nSpeaker: Naman P. Ahuja\, Ph.D.\, Professor of Art History at the School of Arts & Aesthetics\, Jawaharlal Nehru University\, and General Editor of Marg Publications\nVirtual Event \nA racy yarn\, the Chandayan recounts the romance of Lorik and Chanda\, which becomes an allegory about ishq—love for the Divine. Composed in Hindavi (using the Old Hindi dialect of Jaunpuri Avadhi)\, the Chandayan is regarded as one of the foundational texts of the history of Hindi literature.  The 16th-century historian Badayuni tells us that the Chandayan was selected for religious instruction by the Sufi Maulana Da’ud in the Tughlaq period (1320–1413). The remains of five manuscripts that were profusely illustrated sometime between 1475 and 1525 are also foundational for studies in art history. They form the largest corpus of evidence of pre-Mughal painting in north India. In his lecture\, Naman Ahuja will take us through some highlights of the paintings of this popular tale and reflect on how the “vernacular” Chandayan is a valuable source of social and cultural history that allows scholars to map the politics of language and patronage in the domains of the Sultanates. \nSpeaker Bio: Naman Parmeshwar Ahuja is Professor of Art History at the School of Arts & Aesthetics at Jawaharlal Nehru University\, New Delhi\, India and the General Editor of Marg Publications. He has curated some of the most important exhibitions of Indian art in the past ten years\, including: The Body in Indian Art & Thought\, which was shown at the Palais des Beaux Arts in Brussels and the National Museum in Delhi in 2013; and India & The World\, in which 120 objects from the British Museum were staged in strategic dialogue with Indian objects at the CSMVS in Mumbai and the National Museum Delhi. Ahuja’s MA and PhD are concerned with reading the sociocultural history of India through iconography\, as seen in sculpture and painting\, the art of Gandhara\, Indian terracottas\, and temple worship. He has held visiting professorships at the University of Zürich\, the Kunsthistorisches Institut in Florence\, the University of Alberta in Edmonton and at SOAS in London\, his alma mater. His writings on the art and architecture of Indian temples\, and the iconographic shifts in the images of ancient South Asia have been translated into Hindi\, Marathi\, French\, Spanish\, and Dutch. The Binney Lecture will be based in part on his recent book on the Chandayan. Learn more about this book here.\n \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place.\n \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured at top right: Da’ud notes: Lorik is her Sun and Chanda\, the Moon\, his companion (detail). © The Chandayan\, National Museum Karachi\, folio: KH 43
URL:https://www.sdmart.org/event/the-chandayan-a-sufi-tale-of-ishq-between-languages-cultures-people/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/02/Karachi-KH-43_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250227T130000
DTEND;TZID=America/Los_Angeles:20250227T150000
DTSTAMP:20260802T222939
CREATED:20250205T175714Z
LAST-MODIFIED:20250205T175714Z
UID:75975-1740661200-1740668400@www.sdmart.org
SUMMARY:Visualizing Music in Modern Japan: Sheet Music (and Music Ephemera) at the Crossroads of Modern Mass Culture
DESCRIPTION:Thursday\, February 27\n1:00–3:00 p.m. PT\nSpeaker: Kendall Brown\, PhD\, Professor of Asian Art History\, California State University Long Beach\nVirtual Event \nThis talk introduces the topic of Japanese sheet music cover design from 1920-1950 as the nexus of visual art\, film\, and popular song. It posits the humble\, disposable music sheets as perhaps the most sensitive lens to capture popular arts in Japan during the tumultuous period before\, during\, and just after World War II. The lecture includes snippets of Japanese music and film. \nSpeaker Bio: Kendall Brown is Professor of Asian Art History in the Art Department at California State University Long Beach. He is an art historian and has published and curated widely of Japanese art and Japanese-style gardens in North America. In 2024 for the Museum of Fine Arts\, Boston he guest curated the exhibition\, Songs for Modern Japan: The Art of Japanese Sheet Music\, 1905- 1950. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Takehisa Yumeji\, Kageki\, Tsubakihime (Opera\, La Dame aux Camélias [La Traviata])(detail)\, 1923\, 9th reprinting. 1917 original. Ink on paper. Image courtesy of Kendall Brown.
URL:https://www.sdmart.org/event/visualizing-music-in-modern-japan/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/02/Takehisa-Yumeji-Kageki-Tsubakihime-Opera-La-Dame-aux-Camelias-La-Traviata-1923-9th-reprinting-1917-original_square-crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250221T100000
DTEND;TZID=America/Los_Angeles:20250221T113000
DTSTAMP:20260802T222939
CREATED:20241220T001830Z
LAST-MODIFIED:20241220T001830Z
UID:54060-1740132000-1740137400@www.sdmart.org
SUMMARY:Breaking Boundaries: The Transformative Power of African American Art
DESCRIPTION:Friday\, February 21\n10:00 a.m.\nSpeakers: Denise Rogers\, PhD\, Curator\, Mesa College Foundation World Cultures Art Collection\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nDr. Denise Rogers will spotlight a group of groundbreaking African American artists who are redefining the boundaries of contemporary art. Through an exploration of their diverse works—ranging from intricate paintings to interdisciplinary installations—this presentation will examine how these creators engage with themes of identity\, cultural heritage\, and social transformation. Featured artists\, including Alisa Sikelianos-Carter\, Devan Shimoyama\, and Fahamu Pecou\, will be discussed in depth\, offering insights into their unique artistic practices and their role in shaping cultural narratives. This lecture invites attendees to reflect on the power of art to inspire\, challenge\, and innovate in today’s world. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \nSave my spot!\n  \n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and\nthe museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council.
URL:https://www.sdmart.org/event/breaking-boundaries-the-transformative-power-of-african-american-art/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Docent Council,Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/png:https://www.sdmart.org/wp-content/uploads/2024/12/Denise-Rogers.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250208T100000
DTEND;TZID=America/Los_Angeles:20250208T120000
DTSTAMP:20260802T222939
CREATED:20250109T195449Z
LAST-MODIFIED:20250109T195449Z
UID:58185-1739008800-1739016000@www.sdmart.org
SUMMARY:The Art of Cosmopolitanism in Premodern Kerala
DESCRIPTION:Saturday\, February 8\n10:00 a.m. PT\nSpeaker: Arathi Menon\, Art History Assistant Professor\, Hamilton College\nVirtual Event \n  \nSince antiquity\, Kerala on the Malabar Coast of southwestern India has served as a beacon for merchant ships. A confluence of factors\, including Kerala’s fortuitous position in the Indian Ocean mercantile network\, abundant export of spices\, and partnerships rooted in diplomacy and trade\, engendered a regional milieu of multicultural cosmopolitanism and a shared artistic vocabulary across religions. This talk examines architectural and sculptural similitude in Kerala’s premodern churches\, mosques\, synagogues\, and temples\, the agency of local artisans\, and the roles played by rulers\, merchants\, and religious leaders to present a history of art and cosmopolitanism on the Malabar Coast. \nSpeaker Bio: Arathi Menon is assistant professor of art history at Hamilton College. She earned her doctorate in art history and archaeology from Columbia University and specializes in the histories of art in South Asia\, with a focus on the material culture of the premodern Indian Ocean world. Menon’s current book project examines the medieval art and architecture of churches\, mosques\, synagogues\, and temples on the Malabar coast of southwestern India. Her career has blended academic and museum appointments\, including at the Museum of Contemporary Art San Diego and the New Children’s Museum in San Diego. She has taught at Columbia University and Scripps College of the Claremont Colleges and was previously the Andrew W. Mellon Postdoctoral Fellow at Smarthistory—The Center for Public Art History. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place.\n \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured: Photo of Thazhathangady Juma Masjid mosque courtesy of Arathi Menon. © Arathi Menon \n 
URL:https://www.sdmart.org/event/the-art-of-cosmopolitanism-in-premodern-kerala/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/01/SAAC-Arathi-Menon-Thazhathangady-mosque_web-resize-rotated.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250130T130000
DTEND;TZID=America/Los_Angeles:20250130T150000
DTSTAMP:20260802T222939
CREATED:20250109T195446Z
LAST-MODIFIED:20250109T195446Z
UID:57588-1738242000-1738249200@www.sdmart.org
SUMMARY:Kimono: Garment\, Canvas\, and Artistic Muse
DESCRIPTION:Thursday\, January 30\n1:00–3:00 p.m. PT\nSpeaker: Meher McArthur\, Gabrielle Jungels-Winkler Curator of Academic Programs and Collections at Scripps College\, Claremont\nVirtual Event \n  \nHear from Japanese art historian Meher McArthur as she shares a slide lecture previewing her newest traveling exhibition Kimono: Garment\, Canvas\, and Artistic Muse\, which will begin its national tour in March 2025 in Wisconsin. The exhibition explores the iconic Japanese kimono\, its origins\, form\, and styles in Japan\, the many ways it has served as a canvas for conveying spectacular design\, symbolism and meaning over the centuries\, and its recent influence on the world’s artists. McArthur will showcase works created in paper\, ceramic\, glass\, metal\, and other materials by artists in the US and Europe to demonstrate the impact of this garment beyond Japan and beyond fashion. \nSpeaker Bio: Meher McArthur is an independent Asian art curator\, author\, and educator. She currently works at Scripps College\, Claremont as the Gabrielle Jungels-Winkler Curator of Academic Programs and Collections. Previously\, McArthur worked for nine years as Curator of East Asian Art at Pacific Asia Museum (now USC PAM)\, where she curated over fifteen exhibitions. She also worked as Creative Director of the Storrier Stearns Japanese Garden in Pasadena for almost five years. As an independent curator\, she has curated several exhibitions for Southern California galleries\, En Gallery at the Storrier Stearns Japanese Garden in Pasadena\, and for the traveling exhibition company International Arts & Artists (IA&A)\, including Folding Paper: The Infinite Possibilities of Origami (2012-2017)\, Above the Fold: New Expressions in Origami (2015-2019)\, and Nature\, Tradition and Innovation: Contemporary Japanese Ceramics from the Collection of Gordon Brodfuehrer (2016-2019). She has also curated SHIKI: The Four Seasons in Japanese Art for Scripps College’s Williamson Gallery (2021)\, the IA&A traveling exhibition Washi Transformed: New Expressions in Japanese Paper (touring from 2021)\, and YOKAI: Spirits\, Specters and the Supernatural in Japanese Woodblock Prints\, a traveling exhibition from the Scripps College collection (touring from 2022). \nMeher writes regularly about Buddhist art and artists for Buddhistdoor.net and is a contributing writer for KCET Artbound\, Artillery Magazine\, and Orientations magazine. Her major publications include Gods and Goblins: Folk Paintings from Otsu (Pacific Asia Museum\, 1999)\, Reading Buddhist Art: An Illustrated Guide to Buddhist Signs and Symbols (Thames & Hudson\, 2002)\, and The Arts of Asia: Materials\, Techniques\, Styles (Thames & Hudson\, 2005)\, Confucius: A Throneless King (Pegasus Books\, 2011)\, Folding Paper: The Infinite Possibilities of Origami (IA&A\, 2012)\, and New Expressions in Origami Art (Tuttle\, 2017). Her children’s books include Michael and the Magical Museum (Pacific Asia Museum\, 2003) and An ABC of What Art Can Be (The Getty Museum\, 2010). \n  \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Miya Ando\, Mofuku (formal Mourning Kimono) (detail)\, 2024. Dyed anodized aluminum and steel rings. Courtesy of the artist.
URL:https://www.sdmart.org/event/kimono-garment-canvas-and-artistic-muse/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2025/01/AAC-Jan_Mofuku-Formal-Mourning-Kimono_22_Miya_Ando_square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250117T100000
DTEND;TZID=America/Los_Angeles:20250117T113000
DTSTAMP:20260802T222939
CREATED:20241216T231316Z
LAST-MODIFIED:20241218T160536Z
UID:54043-1737108000-1737113400@www.sdmart.org
SUMMARY:The Role of Museums in our Changing Society
DESCRIPTION:Friday\, January 17\n10:00 a.m.\nSpeakers: Vincent Poussou\, GrandPalais\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nJoin us for an insightful lecture by Vincent Poussou\, former Director of Audiences at three major Parisian cultural institutions: Centre Pompidou\, Parc de la Villette\, and the Grand Palais. Drawing from decades of experience\, Poussou will explore how cultural institutions can meaningfully engage diverse audiences while addressing pressing social issues. Poussou will share concrete examples of successful initiatives\, including specialized spaces for different age groups\, digital innovations\, and mobile museum projects that have expanded access beyond Paris. The lecture will conclude with insights into the future of cultural institutions in our rapidly evolving global landscape. \nEssential for cultural professionals\, educators\, and anyone interested in the intersection of arts\, society\, and audience engagement. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \nSave my spot!\nNote\, Guest Lecture Series pricing available. Please call 619.696.1935 to inquire. \n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which offers a platform for renowned scholars and experts from the art world to share their insights and knowledge on topics related to art history\, art theory\, and\nthe museum’s collections. \nSponsored by The San Diego Museum of Art Docent Council. \n  \nFeatured: Art installation by Colombian artist Diana Velásquez at Grand Palais\, Paris
URL:https://www.sdmart.org/event/the-role-of-museums-in-our-changing-society/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Docent Council,Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/12/Guest-Lecture-1.2025-Poussou_Grand-Palais.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241116T100000
DTEND;TZID=America/Los_Angeles:20241116T120000
DTSTAMP:20260802T222939
CREATED:20241018T214849Z
LAST-MODIFIED:20241218T160827Z
UID:39783-1731751200-1731758400@www.sdmart.org
SUMMARY:The Kashmir Shawl's Sikh Period
DESCRIPTION:Saturday\, November 16\n10:00 a.m. PT\nSpeaker: Frank Ames\, independent art dealer\, curator\, scholar\, and author\nVirtual Event \nJoin the South Asian Arts Council online as textile expert Frank Ames shares insights on the history of Kashmir shawls. During the period that Maharaja Ranjit Singh\, the ruler of Punjab\, took control of Kashmir in 1819\, the patterns of Kashmir shawls underwent a significant transformation\, shifting from traditional repeated floral designs to those featuring architectonic\, geometric\, and indigenous cultural motifs influenced by Punjab’s Sikh culture. Some historians attribute this radical change to French influence\, as France was a leader in replicating these imported Indian shawls. This presentation\, drawn from Ames’s forthcoming book\, will explore the events that occurred in France during this time\, demonstrating that the country was preoccupied with replicating the latest Indian fashion to meet an overwhelming domestic demand\, rather than producing shawls for export to the Asia Pacific\, which never happened. Rather than viewing this as a loss to India’s Punjabi Sikh culture\, the Sikh-era Kashmir shawl should be recognized by historians as a pinnacle of artistic achievement in Indian art\, reflecting the creative spirit of the Khalsa movement. \nSpeaker Bio: Frank Ames is a textile expert with over 45 years of experience as an independent dealer\, curator\, scholar\, and writer specializing in antique textiles with a particular emphasis on Indian/European Kashmir shawls. As a Parisian resident for many years\, he refined his expertise by organizing specialized auctions at Drouot. Ames is renowned for his two seminal books on the subject of shawls: The Kashmir Shawl and its Indo-French Influence (1997) and Woven Masterpieces of Sikh Heritage (2010)\, which have brought him often in close liaison with private collectors\, museums\, and institutions worldwide. He has authored articles for publications such as HALI\, Textiles Asia\, Orientations Magazine\, and Sikh Formations\, and curated the esteemed The Arts of Kashmir exhibition at the Asia Society in 2008. Based on the Upper West Side\, New York—when not at his winter home in Goa\, India\, Ames is currently working on his third book\, scheduled to be released this fall. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place.\n \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured: Image courtesy of Frank Ames. © Frank Ames.
URL:https://www.sdmart.org/event/the-kashmir-shawls-sikh-period/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/09/SAAC-Nov-thumbnail_DAGGERS-resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241101T180000
DTEND;TZID=America/Los_Angeles:20241101T190000
DTSTAMP:20260802T222939
CREATED:20240815T204745Z
LAST-MODIFIED:20241218T160845Z
UID:39440-1730484000-1730487600@www.sdmart.org
SUMMARY:Friends’ Lecture & Reception: Wonders of Creation
DESCRIPTION:Friday\, November 1\, 2024\n6:00 p.m. Lecture (ticketed event)\n7:00–8:30 p.m. Private Reception\nSan Diego Museum of Art James S. Copley Auditorium \n  \nWonders of Creation: Art\, Science\, and Innovation in the Islamic World invites viewers to explore the cosmos through the lens of a 13th century Islamic text. Experience a guided journey from the heavens to the earth\, from the skies to the seas\, through the intersections of art and science\, and marvel at the expanse of the universe. Join us for an insightful conversation exploring Islamic visual culture and its relevance today\, especially as seen through the inspiration of this topic on contemporary art. \nFeatured Speakers: \n\nDr. Ladan Akbarnia\, Curator of South Asian and Islamic Art  at The San Diego Museum of Art and curator of Wonders of Creation\nAla Ebtekar\, artist and creator of a work of art commissioned for the exhibition\, A Thousand Years of Light (2024)\n\n  \nWonders of Creation: Art\, Science\, and Innovation in the Islamic World is on view at The San Diego Museum of Art September 7\, 2024–January 5\, 2025. \nShow your lecture ticket for free same-day Museum and special exhibition admission before the lecture from 10:00 a.m.–5:00 p.m. on Friday\, November 1. \n\n\nTickets on sale starting Monday\, September 16 at 10:00 a.m. PT\nTickets for admission to the lecture only are available to general membership and the public. \nFriend-level members and above enjoy free admission to the lecture and a private reception from 7:00–8:30 p.m. inside the Museum rotunda. Please reserve your complimentary ticket using the link below starting Monday\, September 16 at 10:00 a.m. PT. \nLecture & Reception Tickets (Friends & Above) \nFor information on upgrading your membership\, please call 619.696.1941. \n  \nLecture Tickets \n$10 members & students | $15 seniors & military | $20 nonmembers \n  \nFeatured: Star map depicting the Northern & Southern celestial hemispheres (with constellations inscribed in Devanagari). India\, Jaipur\, ca. 1780. Ink\, opaque watercolor\, and gold on paper. Pritzker Collection\, Chicago. Photo credit: Michael Tropea.
URL:https://www.sdmart.org/event/friends-lecture-wonders-of-creation/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Lecture,Member Event
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/07/SDMA-Wonders-of-Creation_Star-Map-Photo-Credit-Michael-Tropea-Chicago_Pritzker-Art-Collaborative_web-resize-left-square-detail.jpg
GEO:32.732119;-117.1504179
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The San Diego Museum of Art 1450 El Prado San Diego CA 92102 United States;X-APPLE-RADIUS=500;X-TITLE=1450 El Prado:geo:-117.1504179,32.732119
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241012T100000
DTEND;TZID=America/Los_Angeles:20241012T120000
DTSTAMP:20260802T222939
CREATED:20240919T192555Z
LAST-MODIFIED:20241218T160906Z
UID:39742-1728727200-1728734400@www.sdmart.org
SUMMARY:Wonders of Creation: Mapping the Cosmos through a Special Exhibition
DESCRIPTION:Saturday\, October 12\n10:00 a.m. PT\nSpeaker: Ladan Akbarnia\, Ph.D.\, Curator of South Asian and Islamic Art at The San Diego Museum of Art\nVirtual Event \n  \nThis illustrated talk will explore the story and vision behind The San Diego Museum of Art’s current special exhibition\, Wonders of Creation: Art\, Science\, and Innovation in the Islamic World\, on view through January 5\, 2025. Wonders of Creation explores intersections of art and science in Islamic intellectual and visual culture from the 8th century to the present\, using the lens of “wonder” as defined by an influential 13th-century Islamic cosmography describing the universe. Written in Arabic and Persian by Zakariyya ibn Muhammad al-Qazwini and entitled The Wonders of Creation and the Rarities of Existence\, this text catalogues the marvels of the universe in a single\, richly illustrated book. The exhibition features over 200 works presented through the framework of Qazwini’s text\, including manuscripts\, astrolabes\, magic bowls\, precious stones\, luster dishes\, architectural elements\, and contemporary art. Following the cosmography’s narrative through the celestial and terrestrial realms\, topics such as astronomy\, astrology\, natural history\, alchemy\, medicine\, and geometry are explored through objects from Spain\, North Africa\, and the Middle East to Central\, South\, and Southeast Asia and the modern diaspora. After an overview of the exhibition with images and details of selected works representing the narrative and conceptual structure\, this talk will consider the framework of the exhibition as a methodology for representing Islamic art and material culture on a wider scale. \nSpeaker Bio: Dr. Ladan Akbarnia is Curator of South Asian and Islamic Art at The San Diego Museum of Art (2019–present). A specialist in Islamic visual culture\, her research\, exhibitions\, and publications address cross-cultural transmissions in Iran\, Central Asia\, and South Asia; Sufism; Persianate drawings; contemporary art; and methodologies of museum display. Her current exhibition\, Wonders of Creation: Art\, Science\, and Innovation in the Islamic World\, is on view at SDMA through January 5\, 2025\, then traveling to the McMullen Museum of Art\, where the exhibition will be on view February 1 through June 1\, 2025. Since joining SDMA in 2019\, Akbarnia has organized several exhibitions and displays. Previously\, she was Assistant Keeper & Curator of Islamic Collections and lead curator for the Albukhary Foundation Gallery of the Islamic World at The British Museum (2010–19); Hagop Kevorkian Associate Curator of Islamic Art at the Brooklyn Museum (2007–10)\, where she organized a reinstallation of the Islamic collection and Light of the Sufis: The Mystical Arts of Islam (2009–10); and Executive Director of the Iran Heritage Foundation in London (2009–10). She received her Ph.D. from Harvard University. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place.\n \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured: Huqqa base. Mughal India\, ca. 1740–80. Nephrite jade; carved and inlaid with floral scroll composed of rubies\, emeralds\, and diamonds. Islamic Arts Museum Malaysia\, 2020.8.51.
URL:https://www.sdmart.org/event/wonders-of-creation-mapping-the-cosmos-through-a-special-exhibition/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2023/04/SDMA-Wonders-of-Creation_Gem-set-jade-huqqa-base_Malaysia_2020-8-51007_web-resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240926T130000
DTEND;TZID=America/Los_Angeles:20240926T150000
DTSTAMP:20260802T222939
CREATED:20240829T223546Z
LAST-MODIFIED:20241218T160922Z
UID:39522-1727355600-1727362800@www.sdmart.org
SUMMARY:Divine Felines: The Cat in Japanese Art
DESCRIPTION:Thursday\, September 26\n1:00–3:00 p.m. PT\nSpeaker: Rhiannon Paget\, Ph.D.\, Curator of Asian Art at The John and Mable Ringling Museum of Art\, Florida State University\nVirtual Event \n  \nWhether lurking in the corners or taking center stage\, cats are a ubiquitous presence in Japanese art. Depending on the situation\, they may invite good fortune\, prompt the viewer to meditate on a tale\, or provide evidence of an unseen world of magic and supernatural happenings.\nThrough an examination of woodblock prints\, paintings\, screens\, and figurines spanning three centuries from over fifty institutional and private collections\, this talk discusses the rich symbolism and surprising stories surrounding the feline image in Japan.\n \nSpeaker Bio: Rhiannon Paget is the Curator of Asian Art at The John and Mable Ringling Museum of Art\, Florida State University\, located in Sarasota\, Florida. A specialist of Japanese art\, she has published research on paintings\, textiles\, popular visual culture\, and especially woodblock prints\, most recently Divine Felines: The Cat in Japanese Art (2023). She has curated numerous exhibitions\, including Mountains of the Mind: Scholars’ Rocks in China and Beyond (2023–24)\, and Saitō Kiyoshi: Graphic Awakening (2021). \n\n\nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Saitō Kiyoshi\, Two Cats\, 1945-1955. Woodblock print; ink and color on paper. The John & Mable Ringling Museum of Art\, Gift of Charles and Robyn Citrin\, 2015.
URL:https://www.sdmart.org/event/divine-felines-the-cat-in-japanese-art/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/08/Two-Cats_SN11495.35_GL2020_V2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240920T100000
DTEND;TZID=America/Los_Angeles:20240920T113000
DTSTAMP:20260802T222939
CREATED:20240829T195611Z
LAST-MODIFIED:20241218T160935Z
UID:39516-1726826400-1726831800@www.sdmart.org
SUMMARY:Marcos Ramírez ERRE: Visions from the Limit
DESCRIPTION:Friday\, September 20\n10:00 a.m.\nSpeakers: Marcos Ramírez ERRE\, Artist\nMOPA@SDMA Joan and Irwin Jacobs Theater \n  \nJoin us for an illuminating talk by the multidisciplinary visual artist Marcos Ramírez ERRE\, whose thought-provoking work explores the complex dynamics of borders\, identity\, and human relationships in our globalized world. With a perspective that stems from living and working in the US–Mexico border region and a keen eye for social justice issues\, ERRE creates art that challenges viewers to reconsider notions of boundaries\, migration\, and coexistence in contemporary society. \nERRE will discuss his artistic process and the conceptual foundations of his practice. He’ll share insights from notable projects featured in prestigious exhibitions worldwide\, including the Whitney Biennial and Havana Biennial. ERRE will share his incisive observations on identity formation\, geopolitics\, and human relationships that are sure to provoke thoughtful discussion. \nDon’t miss this opportunity to hear from one of today’s most innovative and socially engaged artists whose unique insights on art’s potential to bridge divides and inspire change are more relevant than ever in our current global climate. \n  \nPlease note\, this lecture is in-person only and held at the state-of-the-art MOPA@SDMA Joan and Irwin Jacobs Theater in Balboa Park. \n$10 members and students | $15 seniors and military | $20 nonmembers \nSave my spot!\n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which focuses on works of art on view in the Museum as well as topics of interest in the broader art world. \nSponsored by The San Diego Museum of Art Docent Council. \n 
URL:https://www.sdmart.org/event/marcos-ramirez-erre-visions-from-the-limit/
LOCATION:Museum of Photographic Arts at The San Diego Museum of Art\, 1649 El Prado\, San Diego\, CA\, 92101\, United States
CATEGORIES:Guest Lecture Series,Lecture
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/08/Erre-Art-1_horizontal-crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240829T130000
DTEND;TZID=America/Los_Angeles:20240829T150000
DTSTAMP:20260802T222939
CREATED:20240725T205728Z
LAST-MODIFIED:20241218T161007Z
UID:39356-1724936400-1724943600@www.sdmart.org
SUMMARY:Treasured & Quotidian Objects: Still Life in Chinese Art
DESCRIPTION:Thursday\, August 29\n1:00–3:00 p.m. PT\nSpeaker: Heather Simmerman\, Asian Arts Council Vice Chair and Docent\, The San Diego Museum of Art\nVirtual Event \n  \nThough Chinese art history has not included a formal genre of still life as in the Western tradition\, depictions of fruit; objects of material culture or wealth\, such as knick-knacks or antiquities; and flowers and plants as auspicious symbols have been portrayed with regularity. This presentation traces the aesthetic principles and examples of Chinese still life from the Song dynasty (960-1279) to the modern/contemporary period. \n  \nSpeaker Bio: Heather Simmerman was born and raised in the Chicago area\, frequently visiting the Art Institute of Chicago. She earned a B.A. in biology from Northwestern University and a Ph.D. in chemistry from Indiana University\, then pursued a career in the biotech industry. She is a docent at the Museum\, Vice Chair of the Museum’s Asian Arts Council\, and has been accepted into the University of London SOAS-Alphawood program of study for the Postgraduate Certificate in Asian Art commencing Fall 2024. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Ding Workshop. Fruit Plate (果盤; Guo pan)\, ca. 1735-1750. Woodcut painted in colour on paper. The British Museum. Bequeathed by Sir Hans Sloane. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.
URL:https://www.sdmart.org/event/treasured-quotidian-objects-still-life-in-chinese-art/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/07/Ding-Workshop.-Fruit-Plate-果盤-Guo-pan-ca.-1735-1750.-Woodcut-painted-in-colour-on-paper.-The-British-Museum.-Bequeathed-by-Sir-Hans-Sloane.-©-The-Trustees-of-the-British-Museum.-91827001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240817T100000
DTEND;TZID=America/Los_Angeles:20240817T120000
DTSTAMP:20260802T222939
CREATED:20240722T181350Z
LAST-MODIFIED:20241218T161035Z
UID:39341-1723888800-1723896000@www.sdmart.org
SUMMARY:Crossing the Line and Closing the Circle: The Legacy of Independence on Modern Indian Art
DESCRIPTION:Saturday\, August 17\n10:00 a.m. PT\nSpeaker: Siddhartha V. Shah\, John Wieland 1958 Director\, Mead Art Museum at Amherst College\nVirtual Event \n  \nThe partition of British India in August 1947 divided the subcontinent into the nations of India and Pakistan and incited the largest mass migration in human history. Independence from colonial rule was thus cause for both celebration and despair—a paradox that artists of the period represented in varied and arresting ways. Post-independence art reveals a unique confluence of mixed emotions and histories\, where ancient tales and modern abstraction convey both sorrow and hope\, separation and unity. This presentation examines the dreams and visions of artists working after 1947 through works of art that convey tremendous cultural pride as well as visions of a hopeful though undetermined future. \nSpeaker Bio: Siddhartha V. Shah is the John Wieland 1958 Director of the Mead Art Museum at Amherst College. He was previously the Director of Education and Civic Engagement and Curator of South Asian Art at the Peabody Essex Museum\, which is located in in Salem\, Massachusetts and home to one of the leading collections of modern Indian art outside the subcontinent. Dr. Shah earned his BA in art history from Johns Hopkins University\, an MA in Hindu philosophy and Jungian psychoanalysis from the California Institute of Integral Studies\, and a PhD in art history from Columbia University. His academic and curatorial projects have been featured in publications ranging from The Times of India and India Today\, to The New Yorker\, The Wall Street Journal\, and Psychology Today. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place.\n \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured at top right: Siddhartha V. Shah
URL:https://www.sdmart.org/event/crossing-the-line-and-closing-the-circle-the-legacy-of-independence-on-modern-indian-art/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/07/Siddhartha V.-Shah-headshot-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240725T130000
DTEND;TZID=America/Los_Angeles:20240725T150000
DTSTAMP:20260802T222939
CREATED:20240718T224809Z
LAST-MODIFIED:20241218T161023Z
UID:39297-1721912400-1721919600@www.sdmart.org
SUMMARY:True View Landscape Painting of Korea
DESCRIPTION:Thursday\, July 25\n1:00–3:00 p.m. PT\nSpeaker: Allie Arnell\, Asian Arts Council Study Group Co-Chair and Docent\, The San Diego Museum of Art\nVirtual Event \n  \nKorea possesses a long tradition of landscape painting\, tracing back to the tomb murals of the early part of the common era. The majority of known landscape works were made during the Joseon dynasty (1392–1910). One of the most important achievements in landscape painting during this period was the development of “true view” landscape painting.  These paintings depicted special and sacred places in Korea in innovative ways. We will explore these places through the eyes of the artist involved in these ground breaking developments. \n  \nSpeaker Bio: Allie Arnell is a longtime member of the Asian Arts Council and the AAC Study Group. She has presented numerous scholarly lectures in the past\, as well as co-chairing the AAC Study Group. Allie has been a docent at the San Diego Museum of Art for many years and is now in charge of virtual tours for all docents. She also has a JD law degree. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Sun\, Moon\, and Five Peaks Screen (detail)\, 20th century. Tempera and gold leaf on silk fabric. Gift of Admiral Fredrick. J. Horne\, 1957.2.a.
URL:https://www.sdmart.org/event/true-view-landscape-painting-of-korea/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/07/Sun-Moon-and-Five-Peaks-Screen-detail-20th-century.-Tempera-and-gold-leaf-on-silk-fabric.-Gift-of-Admiral-Fredrick.-J.-Horne-1957.2.a.-web-resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240627T130000
DTEND;TZID=America/Los_Angeles:20240627T150000
DTSTAMP:20260802T222939
CREATED:20240617T200137Z
LAST-MODIFIED:20241218T161057Z
UID:39203-1719493200-1719500400@www.sdmart.org
SUMMARY:Naga Textiles of Northeast India
DESCRIPTION:Thursday\, June 27\n1:00–3:00 p.m. PT\nSpeaker: Courtenay C. McGowen\, Asian Arts Council Programs Co-Chair\nHybrid Event\nSDMA Boardroom and Virtual \n  \nNaga tribes of North Eastern India\, in what is today the Indian state of Nagaland\, have a rich history of back-strap loom weaving with which they clothed themselves. Their weaving traditions include methods of recognition of an individual’s standing within their community\, reflecting the number of feasts of merit given by the wearer. \n  \nSpeaker Bio: Courtenay C. McGowen is a longstanding member of the Asian Arts Council (AAC) who has chaired both the AAC and the AAC Study Group. She has a master’s degree in art history from Columbia University and serves on the boards of Mingei International Museum and also the Museum Trustee Association. She currently co-chairs programs for AAC with Gordon Brodfuehrer. \n  \nPlease note\, this session will be held in-person in the SDMA Boardroom and simultaneously shared virtually via Zoom. The lecture will be followed by a social event for AAC members attending in person. \nSave your spot by clicking on this link. All virtual participants will be sent the Zoom link via confirmation email with instructions once you secure your place.  \nIn-person participants should check-in at the front desk with ticket for lecture. \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Detail photo of Thungpang\, a Chang warrior of great renown wearing his ceremonial shawl embroidered with cowrie shells\, from Milada Ganguli’s 1993 book Naga Art.
URL:https://www.sdmart.org/event/naga-textiles-of-northeast-india/
LOCATION:CA
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/jpeg:https://www.sdmart.org/wp-content/uploads/2024/06/AAC-Naga-art-lecture_Thungpang-warrior_horizontal-crop.jpg
END:VEVENT
END:VCALENDAR