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SUMMARY:How to decode a manuscript: A close look at a Mughal book of poetry
DESCRIPTION:Saturday\, May 14\n10:00 a.m.–noon PT\nSpeaker: Marika Sardar\, art scholar\nVirtual Event \nIn museum collections with hundreds or thousands of objects\, there are many treasures awaiting a curator’s detailed study. This lecture will introduce audiences to the process of curatorial investigation and publication\, all through the example of a manuscript from the Aga Khan Museum that was made at the Mughal court in the early 17th century. With calligraphy by the famous scribe Abd al-Rahim al-Haravi (known as “Amber Pen”) and paintings by some of the top artists in the employ of Emperor Jahangir\, this manuscript appeared to offer rich material for study. Further research then uncovered many unusual features that added to its intrigue\, providing a good example of how a manuscript is studied\, from dealing with centuries of changes to the physical object\, to thinking about the text and its arrangement\, and the selection of subjects for painting. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nSave my spot! \nFree for active South Asian Arts Council (renewed for 2021-2022) and SDMA members | $10 for all others \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured: Folio from the Complete Works of Sa’di\, India\, ca. 1604 (Aga Khan Museum\, AKM284.15)
URL:https://www.sdmart.org/event/how-to-decode-a-manuscript-a-close-look-at-a-mughal-book-of-poetry/
CATEGORIES:Lecture-old,Support Council
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DTSTART;TZID=America/Los_Angeles:20220526T130000
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DTSTAMP:20260721T151115
CREATED:20220506T163159Z
LAST-MODIFIED:20220524T175742Z
UID:31160-1653570000-1653573600@www.sdmart.org
SUMMARY:Archetypes\, Aesthetics\, and Agency: Adat Textiles of Early Indonesian Cultures
DESCRIPTION:Thursday\, May 26\n1:00 p.m. PT\nSpeaker:  Thomas Murray\, Asian\, tribal\, and textile art researcher\, collector\, lecturer and private dealer\nVirtual Event \n  \nIndonesian textiles are known to convey messages across time and space by means of an archetypal iconography that include human figures\, trees\, boats\, reptiles\, birds\, and geometric patterns. These encoded images follow ancestral traditions and customary laws known as adat: cloth becomes sacred through a combination of fine spinning\, dying\, and weaving that creates a sense of aesthetic wonder. The anthropologist Alfred Gell referred to this state of mind as the “Technology of Enchantment”:  The better the weaver’s technique\, the greater the cloth’s aesthetic beauty and the more “agency” of spiritual power within an indigenous cultural context. Although those outside the culture cannot decipher those archetypes in terms of the mindset of the weaver’s community\, Gell expresses that the cloths nonetheless convey messages that are powerful\, visually compelling\, and meaningful to outsiders\, though not the same meaning as in the textile’s original context. \nThis lecture will follow the themes presented in the newly published book\, Textiles of Indonesia\, and will focus on some of the finest cloths to come out of the archipelago\, presenting each object with impeccable photographs. Geographically arranged\, this lecture pays particular attention to textiles from the Batak and the Lampung region of Sumatra\, the Dayak of Borneo\, and the Toraja of Sulawesi\, as well as rare textiles from Sumba\, Timor and other islands. \nThomas Murray is a California-based independent researcher\, collector\, lecturer\, and private dealer of Asian\, tribal\, and textile art with an emphasis on antique Indonesian sculpture and textiles and Indian printed trade cloths from the 13th to 18th centuries\, as well as animistic art from other varied cultures. A contributing editor to HALI Magazine for more than thirty years\, he serves as its in-house consultant on ethnographic textiles and has more than fifty publications to his name\, including numerous articles on tribal art and textiles\, as well as eight books and catalogues: Indonesian Tribal Art (2001)\, Animistic Art of Island Asia (2008)\, Masks of Fabled Lands (2009)\, Pairs\, Couples and Maternity: The Art of Two (2014)\, C-14 Dating of Dayak Art (2015)\, Textiles of Japan (2018)\,  Rarities – From the Himalayas to Hawaii (2019) and Textiles of Indonesia (2021). He is past president of the Antique Tribal Art Dealers Association (ATADA) and served a three-year term as a member of US President Barack Obama’s Cultural Property Advisory Committee at the Department of State in Washington\, DC. Thomas Murray currently serves as the president of SF Tribal\, an organization of San Francisco Bay Area art dealers. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nPlease register by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place. Space is limited. \n  \nSave my spot! \n  \nSponsored by the Asian Arts Council. \n  \nFeatured: Ceremonial cloth\, palepai\, with single red ship and archaic tree (detail)\, Paminggir people\, Kailanda district\, ca. 19th century. Lampung cotton\, metallic wrapped threads; supplementary weft. Thomas Murray Private Collection.
URL:https://www.sdmart.org/event/archetypes-aesthetics-and-agency-adat-textiles-of-early-indonesian-cultures/
CATEGORIES:Lecture-old,Support Council
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