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SUMMARY:Margin Notes in the Album of Spring: Botany in Mughal and Later Painting
DESCRIPTION:Saturday\, October 15\n10:00 a.m.–noon PT\nSpeaker: Nicolas Roth\, Ph.D.\, Guest Curator\, Bagh-e Hind\nVirtual Event \n  \nThe vast body of paintings produced under the Mughals and their various vassals\, rivals\, and successors over the course of the seventeenth and eighteenth centuries is replete with floral ornament\, garden scenes\, and botanical studies. This wealth of painted plants is often discussed in relation to the Mughal adaptation of ornamental motifs gleaned from European prints. However\, it is also a reflection of contemporary horticultural practice\, the evolving garden flora of the Indian Subcontinent in a globalizing world\, and a deeply rooted cultural conventions governing the aesthetic appreciation of plants. This talk will delve into this lush world to explore on the nuanced regimes of botanical knowledge and artistic choice that went into creating truly fascinating works. \nNicolas Roth is a historian and literary scholar whose work focuses on the intellectual history and material culture of early modern South Asia\, with a particular interest in gardens and horticulture. He received his Ph.D. in South Asian Studies from Harvard University. He draws on materials in Persian\, Sanskrit\, and various forms of Urdu and Hindi across a broad array of textual genres\, and also works with painting\, architecture\, and other elements of the visual arts. Roth is also guest curator\, with art critic and perfumer Bharti Lalwani\, of Bagh-e Hind\, an ongoing multidisciplinary project that aims to explore seventeenth- and eighteenth-century Indian paintings through scent translations of their subject matter. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nSave my spot! \nFree for active South Asian Arts Council (renewed for 2022-2023) and SDMA members | $10 for all others \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured at top right: Four o’clock or the Marvel of Peru (Mirabilis jalapa)\, ca. 1640. Opaque watercolor and gold on paper. Museum purchase\, 1992.66.
URL:https://www.sdmart.org/event/margin-notes-in-the-album-of-spring-botany-in-mughal-and-later-painting/
CATEGORIES:Lecture-old,Support Council
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DTSTART;TZID=America/Los_Angeles:20221027T130000
DTEND;TZID=America/Los_Angeles:20221027T150000
DTSTAMP:20260425T054728
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SUMMARY:Bingata Textiles of Okinawa and the Ryûkyû Culture: History\, Techniques\, & Application
DESCRIPTION:Thursday\, October 27\n1:00–3:00 p.m. PT\nSpeaker: Allie Arnell\, Docent\, The San Diego Museum of Art\nVirtual Event \n  \nFor much of its history\, Okinawa\, Japan was known as the Ryûkyû Islands. These islands had an independent political and artistic culture from Japan. This included fine textiles of a unique nature. The most famous of these was Bingata\, a textile decorated through a labor-intensive stenciling process. We will explore the textiles of these islands as well as their culture and history. \nAllie Arnell is a longtime member of the Asian Arts Council and a docent for The San Diego Museum of Art. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nPlease register by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place. Space is limited. \n  \nSave my spot! \n  \nSponsored by the Asian Arts Council.
URL:https://www.sdmart.org/event/bingata-textiles-of-okinawa-and-the-ryukyu-culture-history-techniques-application/
CATEGORIES:Lecture-old,Support Council
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DTSTART;TZID=America/Los_Angeles:20221029T103000
DTEND;TZID=America/Los_Angeles:20221029T120000
DTSTAMP:20260425T054728
CREATED:20220825T181258Z
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SUMMARY:Audiovisual Lecture and Book Signing: Reinventing the Power of Women through the Art of Alejandra Phelts
DESCRIPTION:Saturday\, October 29\n10:30 a.m\nSpeaker: Alejandra Phelts\, Artist\nMuseum Boardroom \n  \nJoin the Latin American Arts Council (LAAC) in exploring the meaningful and innovative art of Alejandra Phelts\, a contemporary Mexican artist\, educator\, and lecturer. Her figurative approach is colorful and tries to achieve spontaneous expression between the classic and urban representations. Phelts pays tribute to all of the women in her life and examines ideals of feminine dignity and strength in motherhood. While current definitions of femininity veer away from the concept of gender\, Phelts celebrates women within the family sphere. \nPhelts studied Philosophy and Art History at the Institute Privé de Philosophie et Théologie Saint Jean in France\, where she developed an inspiration for Italian Renaissance painting and admiration for Fra Angelico. In 2006\, she obtained her Bachelor’s Degree in Visual Arts from the Autonomous University of Baja California in Tijuana\, Mexico. She has won several awards including First Prize at the 2019 Latin American Art Fair organized by the Athenaeum Art Center. In 2017\, she had an exhibition Retratos Iluminados\, at the Centro Cultural Tijuana (CECUT). Recently\, Phelts published her retrospective work\, Alejandra Phelts\, La Rumorosa Arte y Patrimonio Colección Literaria\, 2021. She is founder and director of the non-profit association Art Nourishes\, in Tijuana\, Mexico. She has taught many art courses and workshops in Baja California and San Diego. Her work has been exhibited and recognized worldwide. \n  \nReserve your spot by clicking on this link.\n \n\n$10 LAAC and Museum members | $15 nonmembers | $8 seniors and students \nReserve my spot! \n\n  \nSponsored by the Latin American Arts Council. \n  \nFeatured: Alejandra Phelts\, The Lady of Birds (detail)\, 2021. Oil on Canvas. Courtesy of the artist.
URL:https://www.sdmart.org/event/audiovisual-lecture-and-book-signing-reinventing-the-power-of-women-through-the-art-of-alejandra-phelts/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Artist Talk,Support Council
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