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SUMMARY:Tamil Yoginis: Goddesses of Multiplicity
DESCRIPTION:Saturday\, February 11\n10:00 a.m.–noon PT\nSpeaker: Katherine E. Kasdorf\, Associate Curator of Arts of Asia and the Islamic World at the Detroit Institute of Arts (DIA)\nVirtual Event \n  \nAmong the sculptures visitors encounter in the Detroit Institute of Arts’ gallery of Indian and Southeast Asian art is a life-sized yogini goddess from southern India\, carved from stone sometime between the late ninth and mid-tenth century. Embodying both attractive and threatening characteristics\, she projects an unmistakable power. In the temple for which she was made\, which no longer survives\, this power would have been amplified by potentially dozens of other such goddesses enshrined alongside her\, many of which are now housed in museums throughout North America\, Europe\, and India. This presentation will explore the changing contexts to which the DIA yogini and her companions have belonged\, from the temple that once enshrined them\, to multiple later shrines\, to the museums that house many of them today. \nKatherine E. Kasdorf is Associate Curator of Arts of Asia and the Islamic World at the Detroit Institute of Arts (DIA). Curatorial projects include new permanent collection galleries at the DIA and the Walters Art Museum\, where she previously held a Wieler-Mellon Postdoctoral Curatorial Fellowship\, and the Walters exhibition Ferocious Beauty: Wrathful Deities from Tibet and Nepal. She has published articles on architectural reuse in Hindu and Islamic contexts in South Asia and on works of Tibetan art at the Walters Art Museum. With colleagues\, she is currently planning an exhibition that will bring together a group of now-dispersed yogini goddess sculptures from Tamil Nadu (southern India)\, which will explore their many transformations over a 1000-year history. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured at top right: Yogini (detail)\, Indian\, late 9th–mid-10th century\, pyroxene gabbro. Detroit Institute of Arts\, Founders Society Purchase\, L. A. Young Fund\, 57.88.
URL:https://www.sdmart.org/event/tamil-yoginis-goddesses-of-multiplicity/
CATEGORIES:Lecture-old,Support Council
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DTSTART;TZID=America/Los_Angeles:20230223T130000
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CREATED:20230201T222931Z
LAST-MODIFIED:20230201T223254Z
UID:36624-1677157200-1677164400@www.sdmart.org
SUMMARY:Beyond Bollywood: 2000 Years of Dance in the Arts of South Asia\, Southeast Asia\, and the Himalayan Region
DESCRIPTION:Thursday\, February 23\n1:00–3:00 p.m. PT\nSpeaker: Forrest McGill\, Wattis Senior Curator of South and Southeast Asian Art\, Asian Art Museum (San Francisco)\nVirtual Event \n  \nThe lecture focused on the major exhibition Beyond Bollywood: Dance in the Arts of South Asia\, Southeast Asia\, and the Himalayan Region opening in late March at the Asian Art Museum of San Francisco. \nLearn about the different meanings and ideas that dance has conveyed over the last two millennia in the Indian cultural sphere\, where dance has played—and continues to play—an especially meaningful part in religion\, mythology\, courtly life\, and ceremonies. Representing five possible answers to the question “What is dance accomplishing here?”\, the included artworks are grouped into five sections: Destruction and Creation; Devotion; Subjugation; Glorification; and Celebration. The lecture addresses how each of these ideas has been embodied in artworks representing dance. \nThe lecture also shows how the elaborate exhibition design reflects the dynamic and emotionally engaging nature of dance itself. The exhibition space of each section includes an evocative environment in which visitors are invited to experience an immersive journey of sensation. Whether the mood is reverent\, awed\, or celebratory\, each section elicits a unique response. \n  \nForrest McGill\, Wattis Senior Curator of South and Southeast Asian Art\, has worked at the Asian Art Museum for more than twenty years. Previously he was a museum administrator and a teacher\, curator\, researcher\, and writer in Asian art. Major exhibitions he organized or co-organized include The Rama Epic: Hero\, Heroine\, Ally\, Foe (2016); Gorgeous\, a joint project with SFMOMA (2014); Emerald Cities: Arts of Siam and Burma\, 1775–1950 (2009)\, A Curious Affair: The Fascination between East and West (2006)\, and The Kingdom of Siam: The Arts of Central Thailand\, 1350-1800 (2005). He edited or co-edited the catalogs for all these exhibitions. \nFor the last several years McGill has been co-organizing with the Cincinnati Art Museum the major exhibition Beyond Bollywood: 2000 Years of Dance in the Arts of South Asia\, Southeast Asia\, and the Himalayan Region\, which will be at the Asian Art Museum March 31-July 10\, 2023. The 272-page associated publication appeared in fall 2022. \n  \nPlease note\, this session will be conducted virtually via Zoom. \nPlease save your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place. Space is limited. \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured: Dancing Hevajra surrounded by dancing yoginis (detail)\,  Northeastern Thailand; former kingdom of Angkor\, ca. 1050–1100. Bronze. Cleveland Museum of Art\, gift of Maxeen and John Flower in honor of Dr. Stanislaw Czuma\, 2011.143.
URL:https://www.sdmart.org/event/beyond-bollywood-2000-years-of-dance-in-the-arts-of-south-asia-southeast-asia-and-the-himalayan-region/
CATEGORIES:Lecture-old,Support Council
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