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DTSTART;TZID=America/Los_Angeles:20230909T100000
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DTSTAMP:20260623T013151
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UID:37606-1694253600-1694260800@www.sdmart.org
SUMMARY:Traded Treasure: Indian Trade Cloth\, Influencing and Influenced by World Markets
DESCRIPTION:Saturday\, September 9\n10:00 a.m.–noon PT\nSpeaker: Jeevak Parpia\, Professor of Physics\, Cornell University\, and Banoo Parpia\, retired Director of Asian and Middle East Alumni Affairs and Development at Cornell University\nVirtual Event \n  \nIndia is renowned for the textiles it produced for centuries for world markets around the Indian Ocean\, from Indonesia to the east coast of Africa and beyond\, into the Mediterranean and Europe. Not only did the textiles from the market influence the Indian makers\, but the local markets also began to produce textiles resembling the imports from India. Together\, our speakers\, Jeevak and Banoo Parpia\, have created a renowned collection of Indian textiles\, which are currently being exhibited at the Museum of Fine Arts\, Houston in Woven Wonders: Indian Textiles from the Parpia Collection. \nUsing the Parpia collection as a starting point\, Jeevak and Banoo Parpia (with examples drawn from their collection and others) will focus on several designs that exhibit continuity\, and the likely influence of trade on design and demand. An example is the trade cloths that have strongly been influenced by Jain Kalpasutra paintings\, which often depict women in various roles. Yet\, none of the textiles featuring these images have been found in India\, but have traveled to Egypt and to Indonesia. Similarly\, there is evidence of influences of Turkey on current patola design in India and also to Indonesia. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nSave my spot! \n  \nJointly sponsored by Textile Museum Associates of Southern California\, Inc. (TMA/SC) and South Asian Arts Council. \n  \nFeatured at top right: © Parpia Collection
URL:https://www.sdmart.org/event/traded-treasure-indian-trade-cloth-influencing-and-influenced-by-world-markets/
CATEGORIES:Lecture,Support Council
ATTACH;FMTTYPE=image/png:https://www.sdmart.org/wp-content/uploads/2023/08/Parpia-Collection_resize.png
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DTSTART;TZID=America/Los_Angeles:20230928T130000
DTEND;TZID=America/Los_Angeles:20230928T150000
DTSTAMP:20260623T013151
CREATED:20230911T182240Z
LAST-MODIFIED:20241218T162419Z
UID:37665-1695906000-1695913200@www.sdmart.org
SUMMARY:Wunderkammerkŏri: Reimagining and Reinventing Ancestral Legacy through Collecting and Display
DESCRIPTION:Thursday\, September 28\n1:00–3:00 p.m. PT\nSpeaker: Mirae kh RHEE\, Artist-in-Residence\, Museum für Asiatische Kunst and Ethnologisches Museum\, Staatlichen Museen zu Berlin\nVirtual Event \n  \nIn this lecture\, transnational artist Mirae kh RHEE invites us into the long history of the collector and collections from both Asia and Europe. This multimedia project interrogates the presentation and collection practices of the male ruling elite and examines works from collections that extend from the famed Green Vault in Dresden to The Metropolitan Museum of Art in New York. The artist has fashioned a new interpretation of the cabinet of curiosities\, which she calls Wunderkammerkŏri\, a mash-up of German and Korean languages. Wunderkammern\, or cabinets of curiosities\, arose in mid-16th century Europe as repositories for wondrous objects but gradually appeared in 17th–18th century Qing China and Joseon Korea in the form of Chinese treasure boxes (Duobaoge) and Korean still-life genre painting of books and the scholar’s room (Munbangdo). Working in drawing\, painting\, sculpture\, installation\, participatory practices\, and emerging technologies\, like augmented reality\, the artist speaks about her motivations and exhibition plans. \n  \nArtist Biography \nSouth Korean born social practice artist (이미래/李未來) Mirae kh RHEE’s transracial life experiences led her to work between the United States\, South Korea\, and Germany\, where learning foreign languages\, code-switching\, and cultural traditions and customs continuously inform her artwork. Through the lens of transnational feminism and decolonial approaches\, she creates complex research-based Gesamtkunstwerk(e) that tell auto-ethnographical narratives. RHEE received her MFA in studio art at the University of California–Irvine\, where she was a graduate studies diversity scholar and a Jacob K. Javits Fellow. As the current Artist-in-Residence at the Museum für Asiatische Kunst and Ethnologisches Museum\, Staatlichen Museen zu Berlin\, she developed and exhibited her first augmented reality artwork Sammel-Sucht/Collecting Crave. Her solo project will be presented at the Museum für Asiatische Kunst in 2024 and at the Residenzschloss Dresden in 2025. Learn more about RHEE at www.katehersrhee.com. \n  \n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place.\n \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Exhibition view\, The Postcolonial Afterlives of Han\, 2021\, site-specific installation\, circa 2 m × 6 m × 4 m on view as part of Interventions: Fresh Perspectives After 50 Years\, curated by Rebecca Hall. Photo credit: courtesy of USC Pacific Asia Museum and Peter Perigo.\nKorean funeral jacket\, Joseon Dynasty\, 19th century\, permanent collection\, USC Pacific Asia Museum\, Pasadena\, CA | Unfinished Business\, 2020–2021\, plastic body bags\, hemp\, satin\, velvet\, wood\, synthetic and real hair\,2.08 m × 2.08 m × 1.80 m | Meta-Suûi\, 2021\, hemp\, muslin\, polyester cotton mix stuffing\, 70 cm × 56 cm × 12 cm | This Way to Apgujeong: Fall\,Winter\, Summer\, Spring\, 2016\, inkjet print on fine art paper\, 21 cm × 29.7 cm\n \n 
URL:https://www.sdmart.org/event/wunderkammerkori-reimagining-and-reinventing-ancestral-legacy-through-collecting-and-display/
CATEGORIES:Artist Talk,Lecture,Support Council
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