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SUMMARY:Members’ Preview: O'Keeffe and Moore
DESCRIPTION:Friday\, May 12\n10:00 a.m.–5:00 p.m. \n  \nMembers get early access! Be among the first to see this one-of-a-kind exhibition.\nMembers are invited for a first look at this groundbreaking exhibition of two icons of Modernism\, Georgia O’Keeffe and Henry Moore. Over 100 paintings and sculptures trace their artistic development\, exploring their investigations of bones\, stones\, internal/external forms of flowers and seashells\, and landscape\, as well as Surrealist concepts such as the pairing of objects and metamorphosis. This exhibition unites the work of these artists for the first time\, and re-creates their studios in the Museum with their original contents of found objects\, tools\, and furnishings. Visitors will be able to explore their working practices\, and see how these humble objects inspired some of their most important artistic creations. \nO’Keeffe and Moore is on view at The San Diego Museum of Art from May 13 through August 27\, 2023\, and will then travel to the Albuquerque Museum and the Montreal Museum of Fine Arts. The exhibition is accompanied by a beautifully illustrated catalogue with original research and contributions from leading international scholars that can be purchased at The Museum Store. \n  \nThe Members’ Preview will be held on Friday\, May 12\, from 10:00 a.m.–5:00 p.m. Docent-led tours will be available at 1:00 p.m. and 2:00 p.m. \nTimed entry tickets are required for this member benefit event.  \nReserve Tickets \n  \nLearn even more about Georgia O’Keeffe and Henry Moore from world-renowned scholars at the O’Keeffe and Moore Symposium at the Museum on Friday\, May 12 at 4:00 p.m. Symposium tickets\, which must be reserved separately\, are now available online. \n  \nThe O’Keeffe and Moore Members’ Preview is a member benefit. O’Keeffe and Moore opens to the public at 10:00 a.m. on Saturday\, May 13\, 2023. \nTickets are required only for the Members’ Preview and not for the remainder of the exhibition run. Guest passes are not valid during the Members’ Preview of O’Keeffe and Moore.
URL:https://www.sdmart.org/event/members-preview-okeeffe-and-moore/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Member Event
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DTSTART;TZID=America/Los_Angeles:20230512T160000
DTEND;TZID=America/Los_Angeles:20230512T193000
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SUMMARY:O’Keeffe and Moore Symposium
DESCRIPTION:Friday\, May 12\n4:00–7:30 p.m. PT\nJames S. Copley Auditorium and Online\nHybrid Event \n  \nJoin us for a half-day symposium featuring presentations by world-renowned experts of the life and work of Georgia O’Keeffe and Henry Moore. The symposium will be presented alongside O’Keeffe and Moore on view May 13\, 2023–August 27\, 2023. \nSymposium participants include Anita Feldman\, Deputy Director of Curatorial Affairs and Education at SDMA; Dr. Ariel Plotek\, Former Curator of the Georgia O’Keeffe Museum; Dr. Chris Stephens\, Director of the Holburne Museum\, Bath and former Head of Displays Tate Britain; Dale Kronkright\, Conservator of the Georgia O’Keeffe Museum; Dr. Barbara Buhler Lynes\, author of Georgia O’Keeffe: Catalogue Raisonné; and Dr. Hannah Higham\, Former Senior Curator of Collections and Research at the Henry Moore Foundation. \n  \nFree Friend members and above | $10 Individual and Dual members and students | $15 seniors and military | $20 nonmembers \nGet Tickets \n  \n\nSymposium Program\nWelcome Remarks\nRoxana Velásquez is the Maruja Baldwin Executive Director and CEO at The San Diego Museum of Art. As a passionate advocate for the arts\, Ms. Velásquez has focused on fostering cross-cultural dialogues within the San Diego community as well as nationally and internationally. Throughout her professional career\, she has organized many high-profile exhibitions in her capacity as the Executive Director of the Museo Nacional de San Carlos\, Museo Nacional de Arte (MUNAL)\, the Museo del Palacio de Bellas Artes in Mexico City\, and currently with The San Diego Museum of Art. \n  \nO’Keeffe and Moore: Working with Photography\nAnita Feldman is Deputy Director for Curatorial Affairs and Education at The San Diego Museum of Art. She joined the Museum in 2014 and prior to that was Curator\, Head of Collections and Exhibitions\, and a member of the Moore Authentication Committee\, for the Henry Moore Foundation for eighteen years\, curating exhibitions of his work worldwide and overseeing major conservation initiatives for Moore’s works including for the Houses of Parliament and Kensington Gardens. Her publications include the first books on Moore’s textiles and his original plasters\, as well as Moore/Rodin (2013). At The San Diego Museum of Art\, she co-curated Richard Deacon: What You See is What You Get (2017) with Ariel Plotek; and curated Art of the Open Air (2015); Tim Shaw: Beyond Reason (2018); Terra: Fernando Casasempere (2022); and Justin Sterling: Chapel of the Rocks (2022).  She is the curator of O’Keeffe and Moore and editor of the accompanying catalogue. \n  \nGeorgia O’Keeffe and Henry Moore: Opinions and Realizations\nDr. Barbara Buhler Lynes is an independent scholar and leading expert on Georgia O’Keeffe. She authored Georgia O’Keeffe: Catalogue Raisonné (Yale University Press\, 1999)\, as well as numerous publications about the artist and her contemporaries. She was founding curator of the Georgia O’Keeffe Museum and founding director of its research center (1999–2014). In addition\, Lynes has taught art history at Vanderbilt University\, Dartmouth College\, and Maryland Institute College of Art\, and served as Sunny Kaufman Senior Curator at Nova Southeastern University Art Museum\, a position from which she retired in 2020. She lectures widely in the United States and Europe and has contributed an essay entitled “Georgia O’Keeffe and Henry Moore: Icons\, Innovators\, Voices of Authority” to the O’Keeffe and Moore exhibition catalogue. \n  \nHenry Moore: National Institution\n\nDr. Chris Stephens has been Director of the Holburne Museum\, Bath\, since 2017. Before that he worked at Tate in London for twenty-one years\, as Head of Displays at Tate Britain and Lead Curator of Modern British Art\, and oversaw the creation of the Tate’s Henry Moore gallery. His numerous exhibitions include Barbara Hepworth: Centenary at Tate St Ives (2003) and\, in London\, Francis Bacon (2008)\, Henry Moore (2010)\, Picasso and British Art (2012)\, and David Hockney (2017). He has published extensively and his book St Ives: The Art and the Artists was published in 2018. Dr. Stephens contributed and essay on the artists entitled “Modernism\, Nature\, and National Identity” to the O’Keeffe and Moore exhibition catalogue. \n  \nGetting At The Meaning of Things : Georgia O’Keeffe’s Material Interrogation of Life\, 1915–1985\nDale Kronkright is Head of Conservation at the Georgia O’Keeffe Museum\, where he has worked since its inception in 1997. His research into O’Keeffe’s studio materials and techniques in collaboration with scientists and conservators at the National Gallery of Art resulted in the 2006 exhibition and catalogue Color and Conservation\, which documented the forty-year friendship of conservator Caroline Keck and Georgia O’Keeffe. His work also includes studying the efficacy of micro-environmental framing systems for the preservation of O’Keeffe’s paintings\, pastels\, watercolors\, and drawings\, as well as the use of 3-D imaging for the documentation of O’Keeffe’s historic homes and studios at Abiquiu and Ghost Ranch. \n  \nGeorgia O’Keeffe: Sculptor\nDr. Ariel Plotek served as Curator of Fine Art at the Georgia O’Keeffe Museum from 2018 to 2023. Among his recent projects at the O’Keeffe Museum are Making a Life\, an exhibition that explores the many ways in which O’Keeffe was a “maker\,” and an exhibition in the museum’s “Contemporary Voices” series that paired paintings by Josephine Halvorson (the museum’s first artist-in-residence) with works by Georgia O’Keeffe. Prior to the Georgia O’Keeffe Museum\, he served as Curator of Modern and Contemporary Art at The San Diego Museum of Art. Plotek has contributed an essay on O’Keeffe’s and Moore’s use of found objects entitled “Finding the Form” to the O’Keeffe and Moore exhibition catalogue. \n  \n“Looking Inwards”: The Role of Memory and Association in the Perception of Henry Moore’s Internal/External Forms\nDr. Hannah Higham will soon join the Royal Academy of Art in London as their new Senior Curator\, RA Collections. She leaves her current role as Senior Curator of Collections and Research at the Henry Moore Foundation after seven years in the organization. Previously she has worked for Norwich Castle Museum and Art Gallery\, the Sainsbury Centre for Visual Arts in Norfolk\, and the Barber Institute of Fine Arts in Birmingham. She has curated numerous exhibitions and published widely on both Henry Moore and the subject of sculpture. Higham has contributed an essay titled “Forms within Forms\, The Evolution of the Internal / External Theme” to the O’Keeffe and Moore exhibition catalogue. \n 
URL:https://www.sdmart.org/event/okeeffe-and-moore-symposium/
CATEGORIES:Exhibitions,Lecture-old,Symposium
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DTSTART;TZID=America/Los_Angeles:20230513T100000
DTEND;TZID=America/Los_Angeles:20230513T120000
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SUMMARY:Art of Reading Book Club
DESCRIPTION:Saturday\, May 13\, 2023\n10:00 a.m.–noon PT\nMuseum Boardroom \n  \nJoin fellow book and museum lovers for coffee and lively discussion during the Art of Reading book club. Our May 13th book club will be discussing Pulitzer Prize-winning art critic Jerry Saltz’s latest book\, Art Is Life. Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning points—from the cultural reset of 9/11 to the rolling social crises of today—Saltz traces how visionary artists have both documented and challenged the culture. \nPlease save your spot by Wednesday\, May 10\, by clicking on this link. All participants should check in at the Museum rotunda admissions desk then meet at the Museum boardroom. \n  \nFree for members | $20 for nonmembers \n  \nThe featured book pick\, Art Is Life by Jerry Saltz\, is available from The Museum Store. Get your copy today!
URL:https://www.sdmart.org/event/art-of-reading-book-club-21/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Book Club,Member Event
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SUMMARY:Painting\, Map\, Icon: Visualizing A Nepalese Sacred Journey
DESCRIPTION:Saturday\, May 13\n10:00 a.m.–noon PT\nSpeaker: Dr. Neeraja Poddar\, The Ira Brind and Stacey Spector Associate Curator of South Asian Art at Philadelphia Museum of Art\, and a Research Fellow of the Oxford Centre for Hindu Studies\nVirtual Event \n  \n\n  \nIn the collection of Philadelphia Museum of Art is an exceptional Nepalese painting that depicts pilgrims walking winding paths\, fording fast-flowing rivers\, and climbing steep cliffs as they make their way through the Kathmandu Valley. Their destination—the holy lake of Gosainkund—is at the right end of the painting and pilgrims traverse the work’s fourteen feet\, three and a half inches (4.35 metres) to reach it. On the road they encounter numerous sacred sites that dot the urban centers or stand alone in the landscape. This presentation will explore how the format of the Gosainkund painting lends itself to the creation of a sacred map that unfolds experientially. Rather than focusing on scientific precision\, the artist appears to use the horizontality of the object to plot towns\, rivers\, and mountains in relation to each other as they might be encountered on a journey\, helping locate sacred sites and allows them to use the painting to trace a unique pilgrimage\, choosing the places they want to “visit” en route. By walking along the length of the work and following an individualized route with their eyes. While the viewers are unable to bathe in the purifying waters of the holy lake\, they may accrue religious merit by offering worship at Gosainkund—the remnants of ritual substances sprinkled on the deity represented within the holy lake are still visible\, transforming the painting into an icon and making it a potent stand-in for a physical pilgrimage. \nNeeraja Poddar is The Ira Brind and Stacey Spector Associate Curator of South Asian Art at Philadelphia Museum of Art\, and a Research Fellow of the Oxford Centre for Hindu Studies. She received her Ph.D. in art history and Archaeology from Columbia University\, and was previously curator at The City Palace Museum\, Udaipur. Her area of expertise is illustrated manuscripts and books produced at the royal courts of South Asia from circa 1500-1800. She also studies the painting traditions of Nepal. Dr. Poddar has published on illustrated manuscripts and series of the Bhāgavata Purāṇa; her curatorial projects include Mewar Photographs\, 1857-1947 at The City Palace Museum\, Udaipur\, and Encounters in Exile: From the Ramayana\, The Art of the Book in South Asia\, and the reinstallation of the South Asian galleries at Philadelphia Museum of Art\, among others. Her most recent installation\, Unbound: Islamic Arts of the Book\, at Philadelphia Museum of Art\, will remain on view until August 2023. \n  \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nSave my spot! \n  \nSponsored by the South Asian Arts Council. \n  \nFeatured: Pilgrimage to Gosainkund\, Pilgrimage through the Kathmandu Valley\, Sites encountered on the way to the holy lake that is home to the Hindu god Shiva and the Buddhist savior Avalokiteshvara\, ca. 1800. Kathmandu Valley\, Nepal\, Asia\, probably Bhaktapur\, Nepal\, Asia. Colors on cloth. Purchased with the Stella Kramrisch Fund\, 2000. Philadelphia Museum of Art.
URL:https://www.sdmart.org/event/painting-map-icon-visualizing-a-nepalese-sacred-journey/
CATEGORIES:Lecture-old,Support Council
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DTSTART;TZID=America/Los_Angeles:20230516T190000
DTEND;TZID=America/Los_Angeles:20230516T200000
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SUMMARY:Art of Elan: Divided Landscapes
DESCRIPTION:Tuesday\, May 16\n7:00–8:00 p.m. PT\nJames S. Copley Auditorium \n  \nInspired by O’Keeffe and Moore\, this colorful musical program explores our shared humanity and our shared responsibility to care for each other and the world around us. Featuring the world premiere of an Art of Elan commissioned work written by San Diego composer Rand Steiger. \nThe Divided Landscapes concert program features \n\n“The Light That Fills the World” by John Luther Adams\n“Pitying the Farmers” by Carlos Camacho (flute and percussion)\n“Island in the Sky” by Michi Wiancko (solo clarinet)\n“Grace” by Rand Steiger (flute\, viola\, harp\, English Horn\, electronics) *world premiere\n\n  \nMembers $40 | Adults $50 | Military $45 | Senior $45 | Students $15 \nTickets are on sale now. Get tickets.  \n  \n\nThis is a part of Art of Elan’s 16th season concert series called Landscapes. For the full schedule of concerts look here. \nInterested in season tickets to the three-concert Art of Elan season at the Museum? Contact Lauren Mezta\, Development and Membership Coordinator\, at 619.696.1945 or lmezta@sdmart.org.
URL:https://www.sdmart.org/event/art-of-elan-divided-landscapes/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Art of Elan,Music
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DTSTART;TZID=America/Los_Angeles:20230517T110000
DTEND;TZID=America/Los_Angeles:20230517T120000
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SUMMARY:Virtual Tour: O'Keeffe and Moore: Sheltering Inside and Out
DESCRIPTION:Wednesday\, May  17th \n11:00 a.m. – 12:00 p.m. PT \n  \nGeorgia O’Keeffe and Henry Moore were uncannily similar in their pursuit of natural forms: bones and stones\, shells; the unity of the female body with nature. They independently sought and were inspired by the organic roots of modern abstraction\, half a world away from each other. This tour will explore these artists’ works and the connection between the themes in which they were engaged\, comparing their working methods\, exploration of found objects\, and the juxtaposition of unlikely forms. \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nReserve my spot! \n\nHosted by The San Diego Museum of Art Docent Council. \nFeatured: Georgia O’Keeffe\, Ram’s Head\, Blue Morning Glory\, 1938. Oil on canvas. Georgia O’Keeffe Museum. Gift of The Burnett Foundation\, 2007.1.24. © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS)\, New York.
URL:https://www.sdmart.org/event/virtual-tour-okeeffe-and-moore-sheltering-inside-and-out/
CATEGORIES:Tours
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230519T100000
DTEND;TZID=America/Los_Angeles:20230519T120000
DTSTAMP:20260429T224114
CREATED:20230425T164842Z
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SUMMARY:O’Keeffe and Moore: Diving into the SDMA Collection
DESCRIPTION:Friday\, May 19\n10:00 a.m. PT\nSpeaker: Anita Feldman\, Deputy Director for Curatorial Affairs and Education\, The San Diego Museum of Art\nVirtual Event \n  \nDon’t miss this guest lecture by Anita Feldman\, The San Diego Museum of Art’s Deputy Director for Curatorial Affairs and Education\, on the research behind the groundbreaking O’Keeffe and Moore exhibition. Ms. Feldman will focus on the works by these two artists in the Museum’s permanent collection and O’Keeffe and Moore’s respective working methods. O’Keeffe and Moore\, on view at The San Diego Museum of Art May 13 through August 27\, 2023\, is a one-of-a-kind exhibition uniting the works of these artists for the first time\, and recreating their studios in the Museum with their original studio contents\, tools\, and furnishings. More than 120 works of art by the two iconic modernists will be on view from nearly 30 museums\, institutions\, and lenders around the world including the Georgia O’Keeffe Museum and Henry Moore Foundation. Prior to joining The San Diego Museum of Art in 2014\, Ms. Feldman was Head of Collections and Exhibitions for the Henry Moore Foundation in England\, curating exhibitions of his work worldwide. Her publications include the definitive books on Moore’s textiles and his original plasters. \n  \nSave your spot for the online guest lecture by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \n  \nSave my spot!\n  \n\nThis lecture is presented as a part of the Guest Lecture Series\, which focuses on works of art on view in the Museum as well as topics of interest in the broader art world. Lectures are followed by docent-led virtual tours. \nSponsored by The San Diego Museum of Art Docent Council. \n  \nFeatured: Henry Moore\, Stringed Ball\, 1939. Bronze and string. Gift of Bernard\, Ruth\, Michael\, Monica (Cochrane) Borkon\, 2016.43.
URL:https://www.sdmart.org/event/okeeffe-and-moore-diving-into-the-sdma-collection/
CATEGORIES:Guest Lecture Series,Lecture-old
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DTSTART;TZID=America/Los_Angeles:20230521T130000
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SUMMARY:Virtual Tour: O'Keeffe and Moore
DESCRIPTION:Wednesday\, May  21st \n1:00 p.m. – 2:00 p.m. PT \n  \nGeorgia O’Keeffe and Henry Moore were uncannily similar in their pursuit of natural forms: bones and stones\, shells; the unity of the female body with nature. They independently sought and were inspired by the organic roots of modern abstraction\, half a world away from each other. This tour will explore these artists’ works and the connection between the themes in which they were engaged\, comparing their working methods\, exploration of found objects\, and the juxtaposition of unlikely forms. \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nReserve my spot! \n\nHosted by The San Diego Museum of Art Docent Council. \nFeatured: Georgia O’Keeffe\, Ram’s Head\, Blue Morning Glory\, 1938. Oil on canvas. Georgia O’Keeffe Museum. Gift of The Burnett Foundation\, 2007.1.24. © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS)\, New York.
URL:https://www.sdmart.org/event/virtual-tour-okeeffe-and-moore/
CATEGORIES:Tours
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DTSTART;TZID=America/Los_Angeles:20230521T150000
DTEND;TZID=America/Los_Angeles:20230521T163000
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LAST-MODIFIED:20230404T191721Z
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SUMMARY:SDMA+ Malashock Dance
DESCRIPTION:Sunday\, May 21\n3:00\, 3:30\, and 4:00 p.m. PT\nMuseum rotunda \n  \nSDMA in partnership with Malashock Dance presents a modernist dance performance inspired by Georgia O’Keeffe’s paintings and Henry Moore’s iconic sculpture Working Model of Oval with Points. Dancers will perform around Moore’s work of art installed in the Museum’s historic rotunda. The program is offered alongside O’Keeffe and Moore on view May 13–August 27\, 2023. \nEnjoy new choreography by John Malashock—featuring dancers Lauren Christie\, Jessica Rabanzo-Flores\, and Micah Parra—plus\, live music by composer/guitarist Rann Golamco. \nJoin us for a truly unique experience at the intersection of art\, dance\, and music! \n  \nPerformances begin at: \n\n3:00 p.m.\n3:30 p.m.\n4:00 p.m.\n\n  \nFree with Museum admission. Performance date and time are subject to change. \n  \n    SDMA+ programs are offered by The San Diego Museum of Art in collaboration with other local arts institutions to create unique experiences and a deeper exploration of the art on view.
URL:https://www.sdmart.org/event/sdma-malashock-dance/
LOCATION:The San Diego Museum of Art\, 1450 El Prado\, San Diego\, CA\, 92102\, United States
CATEGORIES:Dance,SDMA+
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DTSTART;TZID=America/Los_Angeles:20230525T130000
DTEND;TZID=America/Los_Angeles:20230525T150000
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UID:37043-1685019600-1685026800@www.sdmart.org
SUMMARY:Legacy of Ceylon: Art & Photography of Sri Lanka
DESCRIPTION:Thursday\, May 25\n1:00–3:00 p.m. PT\nSpeaker: Dr. Janet Baker\, Curator of Asian Art\, Phoenix Art Museum\nVirtual Event \n  \nDiscover the island nation of Sri Lanka\, formerly known as Ceylon\, which lies off the southeast coat of India\, placing it along strategic sea routes of trade between Asia and Europe. Explore the legacy of Ceylon based on surviving artifacts\, Buddhism found a home in Sri Lanka from its place of origin in northwest India around the 5-6th century\, and the faith’s oldest traditions remain intact on the island today. Over the centuries\, various ruling families created a theocracy\, a government of officials who ruled by divine guidance. Beginning in the late 16th century\, the island entered a long period of colonial rule; first colonized by the Portuguese in 1597\, followed by the Dutch in 1640 and the British in 1815. The British largely supported the Buddhist theocracy maintained under the indigenous kings of Kandy\, the last monarchy to rule Ceylon from 1597 to 1815. Ceylon finally achieved independence in 1948\, and a period of insurrection and civil war followed. In 1972\, a constitution and a republic were established\, which led to the naming of a new nation\, Sri Lanka.\n  \nLegacy of Ceylon: Art & Photography of Sri Lanka presents a wide range of works that explore painting and sculpture featuring a distinctive combination of Indian and Southeast Asian artistic styles and iconography. Works from the colonial period are embellished with motifs from Portugal\, Holland\, and Britain. By the 18th century\, the concept of divine kingship had reached its apex. Solid bronze-casting techniques were used to create large-scale works that expressed the elegance and perfection in sculpted form of the enlightened spirit of the Buddha. Many of the works discussed had never been on public view prior to the exhibition of this same title at Phoenix Art Museum in 2021-22. Legacy of Ceylon: Art and Photography of Sri Lanka also features original black-and-white photographs by Dr. Quintus Fernando (1926-2004)\, who explored his native home of Sri Lanka in the 1950s with a Mamiya-flex camera and black-and-white film. His keen eye captured serene and exuberant moments of the island’s people\, landscapes\, Buddhist ruins\, and everyday life\, with a particular focus on the nation’s tropical sea and fertile fields. The timeless quality of these images reflect a historic moment between the end of colonial rule and the beginning of a new nation.\n  \nPlease note\, this session will be conducted virtually via Zoom. \nSave your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place. Space is limited. \n  \nSave my spot!\n  \nSponsored by the Asian Arts Council. \n  \nFeatured at top right: Quintus Fernando\, Morning Launch 2\, circa 1950s. Black and white photograph. Private collection. © Fernando Family Trust.
URL:https://www.sdmart.org/event/legacy-of-ceylon-art-photography-of-sri-lanka/
CATEGORIES:Lecture-old,Support Council
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DTSTART;TZID=America/Los_Angeles:20230531T130000
DTEND;TZID=America/Los_Angeles:20230531T140000
DTSTAMP:20260429T224114
CREATED:20230502T181833Z
LAST-MODIFIED:20230509T004426Z
UID:37038-1685538000-1685541600@www.sdmart.org
SUMMARY:Virtual Tour: O'Keeffe and Moore
DESCRIPTION:Wednesday\, May  31st \n1:00 p.m. – 2:00 p.m. PT \n  \nGeorgia O’Keeffe and Henry Moore were uncannily similar in their pursuit of natural forms: bones and stones\, shells; the unity of the female body with nature. They independently sought and were inspired by the organic roots of modern abstraction\, half a world away from each other. This tour will explore these artists’ works and the connection between the themes in which they were engaged\, comparing their working methods\, exploration of found objects\, and the juxtaposition of unlikely forms. \nPlease reserve your spot by clicking on this link. All participants will be sent the Zoom link and instructions via email once you secure your place. Space is limited. \nReserve my spot! \n\nHosted by The San Diego Museum of Art Docent Council. \nFeatured: Georgia O’Keeffe\, Ram’s Head\, Blue Morning Glory\, 1938. Oil on canvas. Georgia O’Keeffe Museum. Gift of The Burnett Foundation\, 2007.1.24. © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS)\, New York.
URL:https://www.sdmart.org/event/virtual-tour-okeeffe-and-moore-may-31/
CATEGORIES:Tours
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