Play [verb] to interact with objects, explore ideas, to imagine unseen worlds.

The SDMA Education team is here to bring you at-home activities for emerging and established art students of all ages. Join us for art activities, crafts, writing prompts, videos, podcasts, and more inspired by the SDMA collections. We invite you to explore creating in all-new ways and to share your work on Instagram, Facebook, and Twitter using the hashtag #SDMAatPlay.

Browse by category: Hands on Art Making Activities, Videos and Tutorials, Creative Expressions, Story Time at SDMA: A Podcast!


Hands-on Art Making Activities


Explore abstract art with an at-home art collage. See the instructions here.


Imaginary Animal Shadow Puppets

Grades: TK – 6

Did you know? Shadow puppet theatre likely originated in Central Asia-China or India in the first millennium BCE. 

Try making your own imaginary creature or shadow puppets by combining features from real animals with your own imagination!

  • Take a tour through our South and Southeast Asia art collection for inspiration. Search and create a list of all the creatures you find.
  • Create slips of paper with the individual animals, draw a few randomly from the pile, and combine them to create your own imaginary creature.
  • On heavy paper or a cereal box, draw out the shape of your creatures. Cut out the shape with scissors and mount with tape to a pencil or stick to convert your imaginary animal into a shadow puppet.
  • Move a light source to face a wall (or use a flashlight) and create a fun night-time performance of imaginative scenes using your shadow puppets.⠀

Share your imaginary creatures with us using the hashtag #SDMAatPlay.


Drawing Exercises

Strengthen your drawing skills with one or all of the below exercises from the SDMA Education team.

Share your drawings with us using #SDMAatPlay.


Botanical Drawing

Invite in some meditative calm with the Mughal tradition of observing plants and animals through drawing. Challenge yourself to create a detailed botanical drawing of a fruit or vegetable that has significance for you.

  • First, sketch the exterior contour line of the object to establish shape and scale, using your own style of mark-making to convey texture and shadows on its surface.
  • Then slice open your fruit or vegetable and study the inside of the specimen in a separate drawing. If desired, add color with the medium of your choice, or label the specimen. ⠀

Share your botanical study with us using the hashtag #SDMAatPlay for a chance to be featured on the Museum social media channels.


A Family Masquerade Ball at Home

Grades: 3 – 12 

Create unique masks with recycled or found materials and have a masquerade ball in your living room!

Invite your family to get creative together and have a masquerade ball at home. You may want to dress up and dine with your family at dinner, before dancing the night away.

Fun Facts: In the late nineteenth century, masked parties were originally designed to celebrate a marriage or royal event. No one was turned away from joining the party, as long as they were wearing a mask!

Material Suggestions:

  • Cardboard, cardstock, or a thick sturdy paper
  • Scissors
  • Tape or glue
  • Pencil
  • Ruler or measuring device
  • Markers, colored pencils, crayons, and/or paint
  • Ribbon, string, shoelaces 
  • Single Hole puncher
  • Wooden dowel, wooden stick, or an unsharpened pencil 
  • Gemstones, feathers

Mask Making Steps:

Step 1: Cut out a 10” x 5” piece of cardboard, card stock, or another thick sturdy paper option

Step 2: With the pencil draw your mask. Remember to draw it large enough to cover your forehead and eyes. Explore different types of lines and shapes, such as curved lines or half circles.

Step 3: Next, draw the holes for your eyes. Drawing them at least an inch away from the edge of the mask.  

Step 4: Cut out your mask and eye hole shapes out. After you have everything cut, hold the mask in front of your face and see if you need to make any adjustments. Make adjustments as needed. 

Adaptations: Younger students may need help starting the eye hole cutting. Using your fingers to bend the cardboard holes in between cutting may help.

Step 4: Now, it’s time to decide if you would like to tie your mask around your head or hold it. If you would like to tie it around our head, now would be a good time to punch holes for the ribbon or string. If you are undecided, don’t worry you can add this step to the end of the activity. 

Measure about a ½ inch from the edges of the mask and punch a small hole for a ribbon or sting to get through. 

Step 5: Take a closer look at The Ridotto painting. Imagine yourself in the painting. Would you like your mask to make a statement, match your fancy attire, have a family shared color or pattern theme? 

Step 6:  Time to decorate your mask. With your gathered decorating material construct the composition on your mask, before gluing down the materials. 

“Traditional masks were highly decorated with gold, silver, crystals, and feathers and tied to the head with a ribbon or attached to a handle and held in the hand.”

Myths, Angels, and Masquerades: Exploring Europe Art.

Step 7:  When your mask is completely dry, secure and tie the ribbon to the mask or tape the wooden dowel to the back right or left edge. Don’t forget to decorate your wooden dowel, too!

Step 8: Now, step back in time and enjoy your modern masquerade family ball!

Don’t forget to tag #SDMA! We would love to see your masterpieces. 

Adaptations: Grades 6-12

Try shaping your mask to fit the contours of your face by bending the cardboard or paper, before decorating the mask. Use glue or tape to secure the bends. Let the glue fully dry before decorating the mask. 

Questions: Email educator Nicole Amaya at


Videos and Tutorials

Crepe Paper Flowers

Enjoy hands-on flower fun for all ages with Garden of Activities!⠀

Garden of Activities 2020 activity worksheet


Music-Inspired Mood Drawing

Create a free-flowing piece of art at home! Play a favorite song and be inspired. Here’s how to get in the mood:

  • Play a favorite song.
  • Relax and let the sounds of the music inspire your drawing movements and color choices.

Mood painting helps you create a free-flowing piece inspired by the music and the way it makes you feel.



Learn about pigments, what they are made of, where they come from, and how to use them in this SDMA at Play video.


Ink Sticks

Learn about Chinese ink sticks, their history, and how to grind your own Chinese ink in this SDMA at Play video.


Creative Expressions

Ekphrastic Poetry

Sharpen your pencils and explore the beauty of ekphrastic poetry, which uses language to vividly describe a work of art or scene.

Here’s how to get started:

  • Choose a piece from the SDMA online collection of American Art.
  • Study the piece using Visual Thinking Strategies: Ask yourself questions such as… What do you see? What makes you say that? What else do you see?
  • After analyzing the painting, brainstorm words and images that come to mind.
  • Craft a reflection in words using your observations, colorful adjectives, and a splash of creativity.

Creative Writing Prompt

It’s story time! Some pieces from antiquity have an air of mystery about them. ⠀

There may be missing information and understanding the whole picture becomes somewhat of a detective’s job.

Take, for instance, the marble-smooth skin, detailed jewelry, and cool reserve of this portrait are all typical of Florentine art in the middle of the 16th century. The high-collared and laced-topped dress worn by the woman point even more specifically to the years right around 1560, when such styles were briefly in fashion among the aristocratic women of Florence. Much about the portrait, however, remains mysterious. ⠀

The inscription at upper right (A / LWI) is difficult to interpret and might be a later addition. Another oddity is the painting’s degree of finish: some areas are highly detailed, but other sections seem barely worked up. It is possible that the panel was begun by one artist, left unfinished, and then brought to completion by another. This might also explain the difficulty in assigning the work to a specific painter. Once attributed to Agnolo Bronzino (1503–1572), the best known of the Florentine artists who worked in this highly mannered aesthetic, it is probably instead by Alessandro Allori or another painter of his generation.⠀

So what details from this painting can you use to piece a story together? What do you think this person was thinking right before or right after this painting was done? Who were they? What was their name? Use your imagination! ⠀

Write a short story or a poem to respond to this painting and tag us on Instagram, Facebook, and Twitter using the hashtag #SDMAatPlay for a chance to get featured!⠀


Story Time at SDMA: A Podcast!

Story Time at SDMA: Blue Elephant

Spinning off from Virtual SDMA‘s Masterpiece Minute Series, Story Time at SDMA features works from The San Diego Museum of Art’s collection through stories told by the children they inspire.

Luca, a kindergartner in San Diego, reads a story he wrote about an Indian painting of a blue elephant in the Edwin Binney 3rd Collection.

Listen to ““Blue Elephant,” by Luca” on Spreaker.

We would love to see what you’re creating! Share your creations with us on Instagram, Facebook, and Twitter using the hashtag #SDMAatPlay for a chance to be featured on the Museum social media channels.


How To Art Lesson Plans

Looking for even more? Check out our How To Guides for curriculum guides and lesson plans to enjoy with your family or students from home!


Featured: Eve Arnold. Art School, Chungking, 1979. Dye transfer print. Victor Diaz Color Photography Collection. 2015.36. | Thomas Hart Benton. Departure of the Joads, 1939. Lithograph. Gift of Mr. and Mrs. Leslie L. Johnson. 1976.34. | Jackfruit and Foliage, ca. 1815. Opaque watercolor on paper. Edwin Binney 3rd Collection. 1990.1381. | Giuseppe de Gobbis and Pietro Longhi (AKA Falca). The Ridotto, ca. 1760. Oil on canvas. Gift of Anne R. and Amy Putnam and commemorating the Silver Jubilee Celebration of Fine Arts Society. 1950.97.|Oskar Fischinger. Balls #16, 1964. Oil on board. Museum purchase with funds provided anonymously. 2009.49. |Thomas Moran. Indian Village, 1915. Oil on canvas. Gift of Mrs. Alexander Bill. 1967.9 |Alessandro Allori. Portrait of a Lady, ca. 1560. Oil on panel. Museum purchase with funds provided by Anne R. and Amy Putnam. 1940.75. |A Mahout driving an elephant through a flowered field, fragment of a painting mounted on a detached album folio. India, Rajasthan, Sirohi, ca. 1690. Ink and opaque watercolor on paper. Edwin Binney 3rd Collection, 1990.907.